Horace Tapscott The Pan-Afrikan Peoples Arkestra
The Call

P-Vine: ...This is the destination of Scandinavian Brazilians!　The perfect Brazilian jazz odyssey created by Roman Andren, also known as "Swedish Deodato"!The 2008 masterpiece album, which has a presence comparable to the many masterpieces produced by Azymuth and Airto Moreira, is finally on LP for the first time!Roman Andren is a keyboard player, singer, and multi-sound creator.The sound recorded in a large organization including the rhythm section, percussion, chorus and horn centering on his own keyboard is a luxurious Brazilian jazz reminiscent of Deodato around 1970!The warm and vintage feel of US crossover jazz is reproduced with miraculous freshness.In the first LP, all 10 songs carefully selected especially for analog will be recorded while following the flow of the original album. The overflowing peaceful world view, the dazzling colors and the beautiful tunes are revived in analog!

We Jazz Records: ...Helsinki duo Timo Lassy & Teppo Mäkynen present strong body of work on their new LP which updates the sound of an acoustic sax+drums combo in a highly inspiring way. Lassy plays sax, Mäkynen plays drums and handles production duties. Consisting of 13 focused tracks each clocking in at around three minutes, the album's sound ranges from spiritual-tinged free playing all the way to delicious 4/4 groove hard-hitters, showcasing producer "Teddy Rok" Mäkynen's love for electronic music. That being said, the sound here is that of an acoustic jazz band, placed left of the timeline and thinking ahead of what this instrumentation could achieve. The overall sound is warm and inviting, with the various delicious details inspiring repeated listening.

The Roundtable: ...Following the critical acclaim of the 2020 compilation Pyramid Pieces, The Roundtable return with a second offering of modernist jazz from Australia. Another vital document further examining the nation’s jazz scene during the late 1960s and 70s. A fertile period that witnessed the birth of an independent movement and the development of a distinct Australian jazz sound. While continuing to focus on the modal forms explored in Volume 1, this second edition shifts direction slightly, this time also surveying other post-bop modes representative of the scene including soul jazz, avant-garde ballet music and Eric Dolphy-inspired free jazz.Again featuring tracks from the esteemed independent imprints Jazznote and 44 Records, the collection also offers never before published pieces from less obvious Australian jazz groups. Compositions by internationally renowned musicians including Bob Bertles (Nucleus/Neil Ardley), Bruce Cale (The Spontaneous Music Ensemble/Prince Lasha) and Allan Zavod (Frank Zappa) alongside pillars of the local scene, Charlie Munro and Ted Vining plus the lesser-known yet formidable free jazz unit ‘Out To Lunch’. Pyramid Pieces 2 is another timely insight into the evolution of the incredible yet obscured Australian modern jazz movement.​

April 29th, 1979, Jean-Michel Basquiat and Michael Holman met for the first time at "The Canal Zone" party, and decided to start a band together. Gradually, they invited various Downtown artists to join the group; first Shannon Dawson, then Wayne Clifford, then Nick Taylor and eventually Vincent Gallo. In 1981, Basquiat named his industrial sound band, Gray. Jean named the band after Gray's Anatomy, an important reference source for his later paintings and the perfect name to capture the haunting, machine-like ambient music the band wrote and performed.Gray’s “Shades Of... Anthology” is a reissue of the band’s previously limited self-released album, plus unreleased material and remixes from: Todd Rundgren, Hank Shocklee, King Britt, Sal P (Liquid Liquid), Deantoni Parks, Tewz, Free The Robots and The Gaslamp Killer with features from Amir Yaghmai and Kool Keith!credits