Open today: 10:00 - 17:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Dominic Murcott Arx Duo
The Harmonic Canon

The Harmonic Canon

Catno

nonclss029

Formats

1x Vinyl LP Album

Release date

May 8, 2019

Dominic Murcott , Arx Duo - The Harmonic Canon | Nonclassical (nonclss029)

from the artist's bandcamp: ...Winner of the 2018 BASCA British Composer Award for Solo or Duo

A music project featuring a specifically design half-tonne double bell, an array of rare percussion and two highly virtuosic percussionists.

“Bloody hell that was good” Tim McKinney, BBC Radio 3

Watch The Harmonic Canon in action: dominicmurcott.com/harmoniccanon

Created in collaboration with sculptor Marcus Vergette, The Harmonic Canon is both the name of the piece and the double bell that was custom-made for it. Comprising of two bells tuned a semitone apart, the bell was created using Finite Element Analysis, a type of structural analysis that determines the vibration patterns of the bell, manipulating its harmonic series to create a complex series of frequencies that make up a note. The result is a sound world that straddles consonance and dissonance, murky and clear, pure and distorted. Parts of the bells are in tune with each other, while others are out of tune, creating a unique ‘beating’ between the bells. Oh – and did we mention it spins?

‘I came up with the idea of a series of 21-minute pieces in conversation with Gabriel Prokofiev,’ says Dominic. ‘The perfect length for one side of vinyl, it is also a message of intent and a gentle demand for the track-skipping listener.’

Part One is made up of rapid, high energy, virtuosic passages, articulated with the ominous striking of the bell while the second part contrasts with a single resonant tone that evolves and shifts over time. This is part of nonclassical’s 21 Minutes series, a new project commissioning 21-minute pieces.

Media: Mi
Sleeve: M

$25*

*Taxes included, shipping price excluded

A1

Part I

21:04

B1

Part II

21:04

Other items you may like:

The Roundtable: ...If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini. Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very essence of Cinecitta. While the widespread influence of these soundtracks is undeniable, it is beyond the commercial domain of the major studios where this compendium takes focus, revealing a deeper, darker and more complex composer. Forged on the ‘Mixerama’, a unique homemade sampling instrument, Nascimbene employed visionary techniques to deconstruct and render sound, sculpting pre-existing recordings into intense and evocative other-worldly soundscapes (most notably used for the 1971 existential TV drama Socrates and the 1969 Egyptian modernist film Al-Mummia (The Night Of Counting The Years). Previously unpublished except for a lone and mysterious Library music LP, the soundtrack cues are collected here for their first commercial release. Psycorama is a fascinating document of electro-acoustic music comparable to the beautifully dark music of fellow colleague Egisto Macchi. Including liner notes and rare photos.
Efficient Space: ...Le Raccourci is a welcome introduction to the world of modern classical identity Sebastian Gandera. The impressionist landscapes of a sensitive soul self-reflecting, these miniature compositions alternate across a rudimentary set up of piano, field recorder, sampler and four track. Melancholic utterings hastily captured some 100km east of Paris.Classically trained by the same teacher as his parents, Gandera first began recording in the confines of his university dorm room, inspired by a C60 from friend and future collaborator Bernard Odot (A Gethsémani). Humbly existing without sparing a thought to music industry or career, Gandera’s personal effects surfaced via the European and US cassette networks from 1988 to 1994. Impressively accomplished for the DIY scene they orbited, these tapes were issued in scant quantities, rendering his pieces as private secrets shared and duplicated in small concentric circles. Aside from a sole, avowedly traumatic performance, the material was never shared in a live context.Selected by Sky Girl co-conspirer Julien Dechery, Le Raccourci culls 15 tracks from Gandera’s extensive cassette discography, discarded DAT recordings, and split CD with Lyon toy music project Klimperei. These sentiently charged compositions only hint at his larger catalogue, but act as a compelling cross section of the artist’s oeuvre. The identity is further detailed by archival images, Glen Goetze penned liner notes and original artwork from Perks and Mini’s Misha Hollenbach.While Gandera’s nostalgic melodies incidentally parallel with the piano key manoeuvres of Pascal Comelade, Robert Haigh and Dominique Lawalrée, Le Raccourci could only stem from the escapist desires of one Eric Morin.
Editions Mego: ...If you have heard any of Thighpaulsandra's previous albums, you will know that you'd best approach this record with no fixed set of expectations, because once again he changes genres and defies easy classification, sometimes more than once within one song. Drawing on his long-time background as a key member in such diverse groups as Coil, Spiritualized and Julian Cope's band (in each case arguably at the height of their creative prowess) and his work as producer and sound engineer for an even larger variety of customers, you'll find classical passages next to hard rock riffing, krauty experimental work-outs turning into super catchy, almost radio-friendly songs and more.Many adjectives have been used to describe Thighpaulsandra’s work: epic, challenging, timeless, idiosyncratic, but certainly never predictable or boring.Possibly his most rewarding album yet and a welcome and unusual entry, in the Mego catalogue, which will entertain and astonish listeners who are fond of having their mind severely altered by sound.