Daszu
Zone Of Swans / Lucid Actual • 1/2 Dativa

One of the most familiar faces in the busy Melbourne music scene; Jake Robertson (who you may remember from such class acts as Ausmuteants, Hierophants, School Damage, et al) returns in full-fledged form with another unruly record from his solo alter-ego ALIEN NOSEJOB.Thirteen months on since the hardcore-punk inspired concept album, ‘Once Again The Present Becomes The Past’, Alien Nosejob turns the ship back to front and sails in a new direction, yet again. Paint It Clear mixes sounds of classic 80’s new wave and post punk whilst sprinkling in the occasional disco track on top. But don’t let these descriptions throw you off - it still carries Robertson’s classic screech of cheeky yet witty lyrics and sharp songwriting hooks.After three home-recorded records prior to this, Mikey Young has finally been phoned in to take over the production controls and breathes a whole new way of life into Alien Nosejob. Never before has ANJ been heard in such fidelity. The clarity! The definition! The dynamics! It all shines brighter than ever before resulting in a record that Robertson’s “parents could actually listen to”.There’s a little something for everyone; whether it be 80’s Cure-inspired synths in Duplicating Satan, the robust Devo-like feel of Leather Gunn, the sing-along chorus of Crusader of Coles, or the melodic, minor closer that is Bite My Tongue. There’s even The Butcher; a piano ballad inspired by the Fun Boy Three, showcasing Jake’s skills as not just a songwriter, but a damn fine singer.

P-Vine: ...Just as Pitchfork once said why Japanese people value Radiohead and not Susumu Yokota, Susumu Yokota is so highly regarded overseas that a retrospective exhibition is held in London.A beautiful electronic music masterpiece made in his short life is reissued here.His 30th album, "symbol", the 8th from his label "Skintone", was released on October 27, 2004."I made it with symbolism in mind," he said in an interview at the time, but it can be said that his aesthetics are summarized here."When I think about it, what I came up with was symbolist. Spirits, angels, souls, etc. were always themes within me," Yokota said at the time. ing.While cutting up fragments of classical music, a problematic work that depicts the beauty he pursues ── remastered, its charm is finally released to the world!

Editions Mego: ...The ascent of Shit and Shine sits as one of the great audio headfucks in recent years. From it's genesis out of the South London noise rock revivalist scene to a zone where rabbit costumed maniacs bled a unique form of multi-drum and electronic hysteria to the current incarnation of destroyed lysergic dance music. Shit and Shine is the epitome of second guess subversion. One with a foot in every pie it continues on a fantastic twisted path. 'Everybody's a fuckin expert' lays forth another slab of inverted tranquility where general disruption is kept in check by the subversive charm unique to the outfit. Gunfire rhythms lay waste to androgynous sonics on the opener 'Ass', deep sea disorientation allows pools of plasticine audio to rise on Rastplatz whilst Picnic Table rinses electro out of thick gelatinous cybernetics. 'Everybody's a fuckin expert' takes a smörgåsbord of sounds and styles and contorts them into a bright new hope in twisted theatre, disorientating dance and hefty hedonism.Both the faint and strong hearted allowed permanent entry to this club.