Open today: 10:00 - 17:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Sougi+
Sougi+ Sougi+ Sougi+ Sougi+ Sougi+ Sougi+ Sougi+ Sougi+ Sougi+

Catno

EM1193TLP

Formats

1x Vinyl 10" 33 ⅓ RPM EP

Country

Japan

Release date

Sep 18, 2020

岩本清顕 - Sougi+ | EM Records (EM1193TLP)

EM Records: ...December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl, CD, or digital download, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love…”, by the Japanese duo Chisako and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker.

Media: Mi
Sleeve: M

$38*

*Taxes included, shipping price excluded

A1

生理 (Period)

A2

地獄が見えても (Even If You Can See Hell)

A3

悲しい町で (In The Sad Town)

A4

あまり遠くへ行かないで (Don't Go Too Far Away)

A5

Love Will Tear Us Apart

B1

Love Will Tear Us Apart (千紗子と純太 Rework)

B2

Untitled (Performed by 美れい @新宿ロフト 1980年4月22日)

Other items you may like:

EM Records: ...Compuma, a.k.a. Koichi Matsunaga, reaches back through time to 1970s Hawaii to perform a mind meld, his old-school Roland drum machines and present-era compumagic vulcanizing and reshaping Haku's original home-grown analog synth madness. Not merely a remix, this a synergistic reconstruction, a transformation at the molecular level in which Haku's source-code DNA is reborn on 12 inch vinyl.TRACKS:Side-A1. Compuma re-edit (11:24)Side-B (vinyl version only available)1. 悪魔の沼 Bonus Beats (Akuma-no-numa Bonus Beats)(5:29)2. ダミーOSCar Part 3 (Dummy OSCar Part 3)(1:17)3. 沼 SCREWED Reprise Dub (Numa SCREWED Reprise Dub)(7:46) Cover art: Tomoo GokitaDesign: Satoshi Suzuki
The Wormhole: ...The shadowy forces behind The Tapeworm are delighted to announce the latest release to come flying out of The Wormhole. On a limited edition split LP two of Europe's foremost exponents of the tape loop go head-to-head, recorded within the hallowed environs of a former Buddhist Monastery – with dramatically un-Zen results.On one side, Italian composer Marta De Pascalis mixes loops and analogue synthesis to create densely layered collages of glowing melodic shards and growling bass distortion, her hypnotic minimal synth figures warping and whirling around each other before dissolving into entropic oblivion. 'Her Core' is a rusty, sand-blasted slab of heaviness that provides the perfect continuation from her two solo albums – a hall of mirrors collapsing in on itself, over and over.Meanwhile, Howlround is in full contraction mode on 'Hard Core', heading directly into the murky innards of a quartet of vintage reel to reel machines and using live tape delay to create syncopated rhythmic pulses, crackles and squelches that founder member Robin The Fog describes as 'accidental gabber'. Originally rising to notoriety through sonic portraits of entire buildings, here Howlround dramatically scale down the subject matter to concentrate on mapping out the endless psychedelic dimensions of a circuit board, discovering a whole new world of creative potential in the process.Both sets were recorded live at London venue Iklectik during the fall of 2017 at "A Can of Worms", an event to celebrate The Tapeworm's 100th release. What's perhaps most remarkable about this LP is that it captures a pair of artists in a snapshot, in parallel. Here, Howlround shakes off the back catalogue, stepping out of the comforting confines of the studio. De Pascalis plays harder than ever before. Both artists taken by a moment, into the harsh glare of the unknown. The fact that each has created their noisiest and most abrasive work yet will surely be seen as a happy coincidence. A can of worms, indeed…