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Everybody Loves The Sunshine / Let Me Take Over

Everybody Loves The Sunshine / Let Me Take Over
Everybody Loves The Sunshine / Let Me Take OverEverybody Loves The Sunshine / Let Me Take Over




P745-25 P745-25


1x Vinyl 7" 45 RPM Single Reissue Stereo



Release date

Jun 18, 2021


Neo Soul

Yasmin - Everybody Loves The Sunshine / Let Me Take Over | P-Vine Records (P745-25) ...From Yasmine's rare 2nd album "A Scent Of Flowers", which was released in just Netherland and left behind the one of the masterpieces ofA90s R&B "Wanna Dance" that has been compiled into numerous mixtapes and dance hit compilations, the popular cover songs Roy Ayers "Everybody Loves The Sunshine" and Ray Charles "Let Me Take Over" are finally single-cut with a superb cover that reproduces freshly with R&B manners!

Media: Mi
Sleeve: M


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Everybody Loves The Sunshine



Let Me Take Over


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“Chase the sun with me,” beckons singer Rebecca Jade during the chorus of “Come With Me,” the funky uptempo opening track of Running Out of Time. It’s a fitting start to the second full-length by Rebecca Jade and the Cold Fact, which sees the San Diego supergroup build on the distinct brand of West Coast soul it developed in its 2016 debut. Anchored by vintage tones and tightly knit grooves, the album fills a modern rock meets R&B space previously staked out by Alabama Shakes and Sharon Jones & the Dap-Kings.Jade herself shows up with Mavis Staples-like dynamism when called for, injecting power into soul shaking numbers including “Come With Me” and the revved up “I Only Smoke When I Drink” (and its follow up lyric “I only drink when I think of you”). The San Diego native has been touring nationally with Sheila E., and echoes of the 90s R&B she grew up listening to are woven through Running Out of Time, found in the summery pop of “Worth My Wait,” and torchy, Caribbean inflected “New York.” Elsewhere she balances her potent gospel-like choruses with breezy Minnie Riperton sweetness, as in the Hammond organ-drenched “Miss You” and timeless vintage of album closer “Change.”The soft brass swells of “Change” and other mid-tempo tunes lend textural contrast to the percussive funk blasts livening up other parts of the record. Horn arrangements were contributed by Andy Geib, the San Diego music vet who’s brought brass sections to a litany of projects, including Toots and the Maytals, Karl Denson's Tiny Universe, and B-Side Players. Most of the band behind the Cold Fact is comprised of frequent Redwoods Music collaborators, including drummer Jake Najor, bass player Jason Littlefield, and evocative lyricist Alfred Howard. Along with their accomplished crew of musicians, Howard and co-producer Matthew Molarius display a studied fondness for the output of their spiritual predecessors with Staxx records and the Wrecking Crew, while adding a tinge of Hollywood Hills psychedelia to the mix.Rebecca Jade credits a convergence of influences for bringing so much creative energy to the new album. “The guys in the Cold Fact bring an extensive catalog of music with them.” she says. “My musical upbringing had a lot of soul and R&B, more radio friendly stuff. We get together and listen to these deep cuts they love, that spark ideas for all these different directions we might go. I’m really grateful to work with them, because they open my world up big time.”