The Brother Moves On
Tolika Mtoliki

Dza pulls together a star studded group of hip-hops best mcs for a true underground classic album.

Baast returns with a follow-up to their cosmic jazz funk opus “Dimensions”, with another set of esoteric “Kosmiche Musik” on their new offering “Bazaar.” Channeling the same energy filtered through a more “worldly” vibe, the heavy focus is on polyrhythmic percussion producing a decidedly Middle Eastern flavor in a similar vein to Krautrock standouts Embryo and Passport.The brainchild of R. Scott Dibble and DJ Johnny Basil, Baast’s live performances are a mix of theatrical rock, jazz improv, and extended funk sojourns once they lock into a groove. 2016 has been a coming out party of sorts for once-underground hero DJ Johnny Basil. After a 20 year hiatus from producing music, hunkering down and delving deep into his esoteric studies while amassing one of the more impressive record collections focused on library music, his ascension has been ignited by his exposure to a young and eager audience as a tour DJ for cult surf-rock crusaders The Growlers. Leaving crowds mesmerized throwing down hard Disco and Funk while exploring the groove alongside them gyrating and slithering shirtless on stage. Drawing a visually striking resemblance to Iggy Pop, and sartorially decked in ‘70s vintage regalia, he’s inspired a write-up from Vice outlet Thump dubbing him “The Man You Wish You Were”, putting him in the running as a real-life “Most Interesting Man In The World”.Fresh from being named by the OC weekly staff as “Best Local Celebrity of 2016” and loaded with several new projects outside of Baast including his recently released excursion into Nu-Disco with the aptly named Basil & Rogers and Sleaze/Glam Rock outfit Kandi Jones, as well as several upcoming appearances in music videos and fashion shoots, DJ Johnny Basil’s long-overdue “shine” is only destined to burn that much brighter.

ORANGE MILK RECORDS: ...Review from 'a closer listen' ~"Luis Pestana‘s debut is unlike anything else on Orange Milk Records; in fact, it’s like little else on the market. The set unfolds like a radio play, embracing multiple genres and instruments: choirs and church bells, woodwinds and hurdy-gurdy. The Portuguese artist calls Rosa Pano “his own folklore, inspired by his mother’s lullabies,” although the timbres are more likely to wake a listener up than to lull one to sleep. There are no track breaks, providing a seamless experience; one is drawn into the dream. We would not be surprised to see a troupe adopt the extended piece for an exercise in creative choreography.“Oneia” begins as a slow march with church bells, a female voice and a sense of procession. At the end of the track, a clock is wound and allowed to tick; a baby begins to cry. Then chimes ring out and the tape enters a new phase, a fairy-tale world populated by buzzing sprites and synthesized surges that seem more Subtext than Orange Milk. Is the baby sleeping yet? As of Track 3, she is not. Multiple voices converge, keeping her awake and agitated. A short, solid drone leads to the busiest piece, “Au Romper Da Bela Aurora” (“A Break from the Beautiful Dawn”), where zither lays the foundation for an architecture of operatic voices.The electronic tones return for the end run, percussive in nature, implying a flight through the forest back to safer ground. At the end of “Asa Machina,” the machines break down with a stutter, revealing a persistent choir. A lone flute, possibly from Pan, leads to the nine-minute title track, in which a siren’s cry is answered by a chorus of wolves. As a final drone approaches, the fairy tales crash together on a single shore. Once again, church bells ring, the mysterious story returning to the beginning: cycling, although changed, like a dreamer nourished by fantastic visions. Are we dancing or are we dreaming? Either way, we’ve grown enchanted by Pestana’s folkloric world."(Richard Allen)acloserlisten.com/2020/11/22/luis-pestana-rosa-pano/ Celeste (vocals) Elizabete Francisca (vocals)Alibori H. (woodwinds) Bruno Pereira (zither)Janita Salomé (arrangement and vocals on 5)Vitorino (vocals on 5) Carlos Guerreiro (hurdy-gurdy on 5)Contains samples from Julia Wolfe, Warner Jepson,José Pinhal and Krzysztof KomedaWritten and produced by Luis PestanaMastered by James PlotkinArtwork by Mariusz LewandowskiLayout by Keith Rankin and Adrienn Császár

Following up from 2019's 'Confessions of a Crudlord' Datkid makes a long-awaited return to High Focus in collaboration with the legendary Illinformed with their brand new album; 'Wakmo'.Available to pre-order on all formats now, 'Wakmo' is due for release on 17/06/21.Album is available on limited edition 2 x 12" black vinyl.Vinyl comes with a digital download of the album upon fulfillment of your order.

boomkat: ...Ekambi Brillant was born in the village of Dibombari in Cameroon in 1948. In 1962 he attended school in Yaounde and learned his musical craft. In 1971 he heads off to the big city lights of Douala. Here he finds himself in a French TV, music competition hosted at "Le Domino" nightclub. It is here where he brushes shoulders with other Cameroonian music legends such Manu Dibango and Francis Bebey.