Drums Off Chaos
Compass

...NO ONE REALLY ASKED, BUT HERE IT IS!FUCKPUNK2020!GOAT LIFE!THE NEW $HIT SINGLE FROM DJ OA$IS!

Limbo Tapes: ... Straight from Limbo Tapes HQ, "01" has a signature label sound at it's heart, and marks a meaningful milestone in our history as a DIY imprint as our first vinyl release.The album was crafted in the Dive Reflex Service production facility, somewhere in the depths of Bristol. Found here are bewitching and magical elements, anchored by deep melodic bass lines that propel the listener through 12 rhythmic scenes.Using a combination of tape saturated improvisations, ritualistic samples and a beautifully chilling vocal appearance from Jamileh Lee, Dive Reflex Service has conjured a meditative, reflective and at times ominous ceremony.Limited to 300 physical copies for the world. Heavyweight vinyl with full colour artwork and high quality digital download. Mastered and cut at Stardelta Audio Mastering.

Founded in 2015, Tears|Ov are sound artist/self-taught musician Lori E Allen, classically trained cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.Their writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day/performance. Because of this, the album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.

Following two excellent singles, Jake Robertson finally gets serious with the ALIEN NOSEJOB solo series with this, his debut LP. While those two stuck relatively close to the rock’n’jerk’n’pop that we’ve come to enjoy over the various bands Jake has been a part of, this LP is a whole new beast (alien?). Taking a notable step to the side, off the path, and into the brush, this album sees Robertson flirting with calypso and goofy pop. It rules. We finally have our punk Paraiso, and who better to bring it to us than the man who brought us other Fox Network Specials such as “The Five Fabulous Weeks of the Chevy Chase Show”.Alien Nosejob is Jake Robertson (of Ausmuteants, Hieropants and Frowning Clouds) and the four songs are bedroom recordings, augmented by a full-blown horns section in one instance. Sounds like early Devo on a meth trip with its stuttering guitar and jerky rhythms fitting perfectly.