Ronny Nyheim
Multisensory Integration

Timedance: ...'Sharpen, Moving' celebrates five years of the Timedance imprint, blending the labels original aesthetic and opening it up into new corners of leftfield club music. Artists featuring include the regular faces of Batu, Bruce, Ploy and Metrist, alongside newcomers Kit Seymour, Akiko Haruna and Mang & GRAŃ. Timedance also welcomes techno royalty Peter Van Hoesen with one of his most broken tracks to date, plus new appearances from Patina Echoes contributors Via Maris, Cleyra and Nico.The compilation showcases Timedance's evolution from 'Bristol techno' to a more global conscious sound, incorporating energies from different scenes and synthesising them into new modern forms.

ORANGE MILK RECORDS: ...Headbanging In The Club is an ode to the Pittsburgh underground electronic music community. In a small city with very few recognized club spaces, we make our own clubs in the underground on our own terms. We celebrate our unique intersections of noise, punk, breakcore, IDM, and DnB as we headbang and thrash around. What defines a club space? Who says we can't bring the club to the punk venue? We challenge the frameworks of club culture and what it means to dance in the club. This album is the essence of a hardcore dance experience on the fringes of the Burgh. && we headbang in the club.with love,W00dyAll tracks were written for live performance and have been played all over the US in the past three years.

P-Vine: ...Just as Pitchfork once said why Japanese people value Radiohead and not Susumu Yokota, Susumu Yokota is so highly regarded overseas that a retrospective exhibition is held in London.A beautiful electronic music masterpiece made in his short life is reissued here.His 30th album, "symbol", the 8th from his label "Skintone", was released on October 27, 2004."I made it with symbolism in mind," he said in an interview at the time, but it can be said that his aesthetics are summarized here."When I think about it, what I came up with was symbolist. Spirits, angels, souls, etc. were always themes within me," Yokota said at the time. ing.While cutting up fragments of classical music, a problematic work that depicts the beauty he pursues ── remastered, its charm is finally released to the world!

LASH: On LASH01 ‘Tongue Drum’ , Weird Weather unleash three tracks of gnarly rave clobber, stirring up a sludge of Scorn, classic Rephlex and out-there Adrian Sherwood in the process.The title track whips up a heady mix of fuzzy techno tonk and skewed gamelan, charged with horror soundtrack growls and wonky trance stabs. On the reverse, ‘Paint’ (hot off Jon K’s sold-out T TT mixtape) is an apocalyptic 808 dub scrubbed with industrial scourers. Mutilated rhythms and red-lined bass then push ‘Paint (Black, Red, Green)’ over the edge into oblivion.Techno incantations for the undead.

boomkat: ...Sterling first volley from Bristol’s Young Echo Records, featuring Sam Kidel (Killing Sound) and Amos Childs (Jabu) backing Rider Shafique’s incisive, intimate reflections on I-Dentity in modern Britain.Perhaps best received as a clear response to the divisive, race-baiting politics our times, in both parts Shafique presents an ice-cool yet impassioned dissection of the state of playlucidly channelling his thoughts in a rooted, low-key style that resonates with the delivery and impetus of classic dub poetry from Linton Kwesi Johnson and Mutubaruka.However, this being the first release from one of the UK’s most conscientious, variegated and distinctive outfits, don’t expect them to play to convention. This is most apparent in I-Dentity, where Shafique’s ennui and haunted ontological observations intersects Sam Kidel’s miasma of coruscating strings and insectoid inflection, creating a weightless, pensile and abstract space where Shafique ruminations on the stubborn hangovers of the colonial mindset and the semantics of its redundant taxonomies resonate in a wholly unique manner, similar to the way Kidel’s juxtaposed materials in his amazing Disruptive Muzak LP for The Death of Rave.For a smart contrast, in the flip side’s Freedom Cry, Shafique spells out a more positive, stately message, hailing the heroes of the Civil Rights Movement against Jabu’s unfathomable, melting backdrop of slow, celestial jazz swoon, with the lyricist holding tight to his message at the centre of it all. If we’re totally honest, on previous records Shafique’s delivery has seemed slightly over earnest or, conversely, even too droll to us. But here it makes complete, affective sense.Highly recommended!