A-Team
Trouble

tagged: geneva gorgon sound obf young echo dub reggae soundsystem steppers Bristol

Martin O'Cuthbert: 'B.E.M.S' (Esoteric Records):..."Seriously, when I played this record, an object on the wall started to vibrate very quickly, and I have witnesses to prove it. Martin O'Cuthbert is either a very evil person (just listen to the record) or a total fool (just listen to the record). Probably be big in Japan, and at a guess I'd say the whole thing comes off a Yamaha organ cos no synthesizer could sound that bad, could it?" (John Lydon, New Musical Express, July 22, 1978)

Editions Mego: ...Heaven is a work of contemporary church music. Centrally occupied with the subject of death, its conceptualisation was catalysed by Spiluttini’s discovering his mother’s preparations both for her own death and for his. He arrived at her home in 2015 to be led into the local church and shown the two adjacent places she had reserved for their urns. The tracks on Heaven together consist of an analogously personal and anticipatory negotiation with death.Partly derived from organ recordings made in the same church, the album frequently enlists Arvo Pärt’s compositional method of tintinnabuli. Aside from the thematic logic of its sacred associations, the method suits Spiluttini’s tendency, in spite of heavy and dynamic passages, to minimise tonal complexity. His characteristic uses of gnashing bass, restlessly irregular pacing and serrated distortion return. This time, they combine with pads, harps, fluttering organs and swooping choirs.

Butter Sessions: ...Ewan Jansen, Perth artist, producer and founder of Red Ember Records, presents his second offering to Butter Sessions following the 2017 EP Best Intentions. The colourful LP from Jansen, Island Diary, wraps up the end of the year at the label on a distinguished note -- courtesy of Jansen’s 20 years of experience in the Australian electronic landscape.Island Diary was recorded over the last 12 months as Jansen returned from a frantic European tour. He was granted a breather with the lockdown, which allowed Jansen the necessary time and space to properly produce his record. Using this period to create intuitively, Jansen refers to his time spent in lockdown as a “chance for discovery,” discernible throughout the record with his novel genre interpretations.The refined character of Island Diary is made clear with Jansen’s experiments in structure and tone, distancing his LP from the formulaic and conventional approach to classic house music.The LP’s opener Mussel Hustle is a nostalgic and shimmering composition with an infectious hook, evidence of Jansen’s versatility as a producer. Kooka utters fleeting minimal techno with vigorous drum programming and hardy synthwork. In contrast, Hot Rain hits like a cool change with its breezy and balmy melody. Proteus Vs Yoshimitsu channels YMO and other proto-electronic affiliates with futuristic sci-fi electro-pop. Jansen’s signature house sound reveals itself more so in the LPs finale Breadcrumbs, which carves out a joyful and yet refreshing passage of house music.Jansen refers to Island Diary as a “palette cleanser,” an apt sentiment. There’s something here for everyone. He has crafted a release to be taken in from start to finish, a treat for eager ears.