Closed today

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Szare
POLITY001

POLITY001
POLITY001POLITY001POLITY001POLITY001

Artists

Szare

Catno

POLITY001

Formats

1x Vinyl 12" 33 ⅓ RPM 45 RPM EP

Country

UK

Release date

Jan 1, 2019

Szare - POLITY001 | Polity Records (POLITY001)

from the artist's bandcamp: Over the course of nearly a decade of releases, Szare
have have been a mainstay of UK dance music,
cementing their reputation through a string of essential
releases for labels like Horizontal Ground, Idle Hands,
Field, Project 13 and Different Circles. We’re extremely
proud to add another name to that list, with this diverse selection of tracks that comprise both new ideas and forgotten loops, re-visited and re-tooled.
The first track, Miner, is named after a street in Downtown Stockton, CA. Whilst Miner isn’t directly about the Central Valley of California, the juxtaposed rhythmic and thematic iterations that outline its structure reflect the uncanny incongruence of the environment
that birthed it. From the opening bar, the rhythms are pounding, frenetic, and totally unhinged… We won’t give away the payoff though; listen to the tune.
Cut with Glass - written after a recycling mishap - perfectly encapsulates a vintage side of the Szare sound - minimal, free from ornamentation, and with an approach to uk sound system culture that exhibits a more westward-gazing sound palette than initially meets the
eye.
Drop Shadow rounds off the package; as much an exploration of concrète as it is bass music, the drop to 100bpm facilitates one of the most controlled and perfectly executed arrangements we’ve ever heard out of Szare. The spasms of noise throughout are used as a fundamental instrument, complimented by pointillist licks of dubbed out vocals and
strings that reach a fever-pitch in the closing third.

Media: NM or M-i
Sleeve: NM or M-

$34*

*Taxes included, shipping price excluded

A

Miner

B1

Cut With Glass

B2

Drop Shadow

Other items you may like:

No Corner: ...Spiritflesh, the brainchild of Julian 'Dj October' Raymond-Smith and Boris 'Borai' English, is the culmination of an expansive discography, countless hours of music consumption and detailed collective knowledge.Taking in a host of sounds, from Doom Metal and Drone through to Post-Punk, EBM, Dreader than dread Dub and Techno, Spiritflesh have truly blurred the conventions of their influences and spawned a sonic that is all theirs... spewing and spitting like a skeletal, fog-riddled construct of otherwordly ambience, guttural bassline and rhythm.Dream-like, yet crushingly physical, their sound is a cerebral kind of music that touches, with great conviction, on ideas of life, death and the in-between...
POLITY: ...Fresh off the heels of minting the YCO imprint with Aya, BFTT debuts on Polity Records with the Intrusive / Obtrusive EP, which sees BFTT continue to develop his precise, hyper-futuristic take on UK sound-system music. Using technology and humanity’s evolving (and not always benevolent) co-dependence with it as a conceptual jumping-off point, he infuses a noisier but still tightly controlled sound palette with the fixed-point rhythmic precision and mutative structures that made his previous work stand out.
BFTT joined Manchester’s Mutualism collective in 2017, an experimental label and events series, as well as running Leftovers in Leeds and most recently founding YCO alongside Aya in July of this year. The release follows acclaimed records for Whities and Gobstopper, as well as a pair of s t u n n i n g remixes of Loraine James’ +44 - Thinking - Of - You.
from the artist's bandcamp: ...TALKING OF POST-TECH DIALECTICS,THIS IS A TRIBUTE TO THE CYBERPUNK.The mother of technology collapses. Ten fragments of her soul are spread in cyberspace. The last encoder composes the pieces to a manifest. A poem that is a call for the distortion of the artificial.Manifest is an album, in which CORIN synthesizes the reconciliation of the dystopian and utopian. It is a story of manipulated time that exists out of instrumental and vocal proportions.
boomkat: ...As the artist acknowledges, “there’s a lot of serendipity involved in wrestling grooves out of these awkward machines”, and that’s where a lot of the chewy charm to ‘Pink Nothing’ stems from. Working with his re-imagined version of Daphne Oram’s uncompleted “Mini Oramics” machine - a slightly less unwieldy version of her drawing/light-to-sound interface for music making - which he finished in 2016, Tom harnesses its bleeps and whistles to palpitating bass drums owing to modern dance music, dreaming of what Daphne might have come up with if, as rumours imply, she really was at the first Shoom party.