J.J. Johnson
Themes And Cues For Movies & Television

The Roundtable: ...If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini. Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very essence of Cinecitta. While the widespread influence of these soundtracks is undeniable, it is beyond the commercial domain of the major studios where this compendium takes focus, revealing a deeper, darker and more complex composer. Forged on the ‘Mixerama’, a unique homemade sampling instrument, Nascimbene employed visionary techniques to deconstruct and render sound, sculpting pre-existing recordings into intense and evocative other-worldly soundscapes (most notably used for the 1971 existential TV drama Socrates and the 1969 Egyptian modernist film Al-Mummia (The Night Of Counting The Years). Previously unpublished except for a lone and mysterious Library music LP, the soundtrack cues are collected here for their first commercial release. Psycorama is a fascinating document of electro-acoustic music comparable to the beautifully dark music of fellow colleague Egisto Macchi. Including liner notes and rare photos.

Mekbuda, translated from Arabic is the "lion's folded paw" as well as a star in the constellation of Gemini and in this case Russia's preeminent entry into the burgeoning contemporary jazz scene with their debut album Convincing Delusional. Residing on the spacier and cosmic side of the jazz spectrum, the quartet consists of Roman Zyryanov on drums, Dmitry Rubanov on bass, Alex Petrov on Rhodes and keys, rounded out by Igor Shilov on trumpet. Informed by the UK's jazz and electronic scene, spiritual and modal jazz, along with ambient and a tinge of hip-hop, Mekbuda's sound is a heady brew of instrumental soundscapes. The 6-track album seamlessly crescendoes from uptempo drum and bass to dubbed out rhythmic excursions, all layered within a brooding and hypnotic atmosphere.

deejay.de: ...Orbit was founded in 2016 by saxophonist Soren Lyhne Skov and pianist Peder Vind. The two had been playing together for over a decade in various groups inspired by afro-beat and ethio jazz. The idea with Orbit is to maintain the feel of certain musical traditions but to explore them through a modal jazz perspective.The ominous Orbit Bound is centered around the figure played by the bass clarinet. The time is 9/8 and with the sound of the bass clarinet you might get a Balkan feel. But the scale is more Middle Eastern making it difficult to place precisely - like an orbit constantly moving.NV is a tribute to the North Western borough of Copenhagen, which is a multi-ethnic and partly still ungentrified part of Copenhagen. The area has its struggles and social problems but at the same time it is also a place of warmth, surprises and lot of untapped talent.This song has a loose minor scale theme with some sparse piano chords and a solid bassline leading the way. The drums are constrained giving the track a feeling of unreleased energy similar of the potential energy in NV.

K. Fruend.: ...Piano, handmade electronics, tenor sax, couple strings.I was after something tangible. Sounds you could roll around in your palm and consider different, complex, and flawed textures. Feel the weight, maybe even smell them.This desire is probably a reaction to the dissociative nausea from the constant simulacra of these early 2020s. Like deliberately going barefoot to feel yourself grounded in a real place, as I read Andrea Needham did when facing charges for disarming a warplane.Anyway, my methods to achieve these sound "objects" was to use a healthy amount of acoustic instrumentation with all its familiar sonic unevenness, to free sounds from rhythmic or thematic structure, and to give plenty of blank space around each note so the ear can reach in and pluck it out. A berry from a bush, an eyelash from a friend's cheek.Really though, a lot of the time now I just want to listen to the birds. There are plenty on here. Mourning dove, titmouse, helicopter.KF, Dec. 2021