Ixna
Knotpop

After two EPs on Pleasure Club, Johnny Hunter returns to the label with his first full length - Dub Is King LP.Fusing all of the styles he has become renowned for through his releases and DJ sets, this album see’s him incorporate dubby techno, spacey electro and UK garage flavours into one eclectic yet cohesive body of work.Created throughout the trials and tribulations of the last two years, Dub Is King LP is a message of optimism, unity and freedom, and is also a deep homage to Johnny's roots in soundsystem culture.

boomkat: ...Among electronic music’s most intriguing new artists, Zoë McPherson devilishly complicates her sound in adeventurously strong 2nd album starring Elvin Brandhi and Greetje Bijma. Really strong LP this.Chasing up her debut LP ’String Figures’ (2018) and last year’s collab with Rupert Clervaux, ‘States of Fugue’ frames Zoë’s sound at its most elusive/illusive and cryptic, weft with samples of uncertain origin and sledding into unexpected places of enquiry. "On ‘States Of Fugue’, Zoë Mc Pherson orchestrates a very personal, tactile and fluid journey through emotions that range from subdued calm through to outright rage and playful devastation. She takes plunges into the deepest depths, lead by multiplied voices from the distance, with sounds crawling from beneath the surface of bass-frequencies, with what we can only describe as a rubbery synth glue (check ‘Growth’) before untangling all the tension in a whirlwind of mangled percussion (Exile) and letting completely loose on the rhythm-driven ‘Taste’… And this is just a pointer towards the three opening tracks!As the record continues, we visit vast worlds via Zoë Mc Pherson’s forward-thinking, left-turn taking sound. We haven’t even reached the polyrhythmic banger ‘Tenace (Dogs On Road)’ and the vocal disturbance of ‘Get It!’ yet, and we’re already super-charged on Zoë’s unique energy.Although her roots as a drummer can be heard throughout the record’s versatile and deft appliance of off-setting rhythms and the unique unscrewing of percussive elements, it’s the use of her voice that carries the record through so effectively. The direct stream of voice that locks in and out through each tune, wether in a directly understandable form or in a more guttural, effected shape really gives the record its feeling. The noises are relatable even in their strangest shape, and the narrative only compliments the sentiments of sound within. On ‘Learn Your Language Faster’ with Elvin Brandi on vocals, Zoë found her perfect match in terms of this vocal-charged message."

Limited Edition Purple Vinyl. Only 300 copies!Existing in the liminal space between Bon Iver, James Blake, and Imogean Heap, "Beamorose" builds upon the signature shapeshifting vocals of Penelope Antena (heir to the famed synthpop band Antena and Marc Moulin's "Placebo") by twisting Americana, Gospel, and Folk through a Kaleidoscopic lens, crafting a unique & soulful form of Avant-Pop.Penelope Antena is the heiress to a musical legacy of mythical stature, living and creating on a mountaintop in the Occitanie region of southern France. Her grandfather, Belgian pianist and Jazz-Rock Pioneer Marc Moulin (Placebo, Telex, Aksak Maboul) and mother, founding member of the 80s electro-samba group Antena, Isabelle Powaga, played a tremendous role in supporting and inspiring Penelope to shine in the shadow of their creative heritage.

Efficient Space: ...Oz Echoes peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7”, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide’s Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow’s prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz’ improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.A cherry-picked cast of unusual suspects, Oz Echoes’ unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.

The wait is over. Somewhere between the rodeo clowns in the summer and archangels at the end of time: Blectum from Blechdom have returned. This is obvious from the moment your needle drops on their new album 'DeepBone' and never lets you forget it. Swirling swarms of inhumanly perky voices bounce between your speakers, only taking breaths for the electronics to be equally overcharged. Hyper-melodic glitches and helium-contaminated Broadway arrangements are all interwoven with brocaded beats and elegant fractal architectures, sending an important message: Brain go crazy now!This duo, composed of Kevin Blechdom and Blevin Blectum, bring us their 6th official album and first for Deathbomb Arc. Digital due on July 23rd and vinyl in the fall; both on pre-sale now.