Ami Dang
Parted Plains

Composer and electronics mastermind Lauren Bousfield has always displayed a virtuouso flare while ecstatically flying by our ears at lightning speed, seemingly from 10 directions at once. On her latest album, she brings a new found expertise in orchestral arranging from her other work as a cinema composer, and puts vocals to the front. Much like her finger blurring piano playing, these vocals seem to be passing us by at the speed of light. We know they're there, but they dance around us rather than beat straight into our bodies. Our souls feel these songs, not just our hips.

Lavalava: Four cuts on an upfront slab of wax for turntable enjoyment ahead of a big compilation entitled ‘LV VA’, which is to be released in due time, showcasing music from over 30 artists, from almost as many locations.This sampler 12” sneak-previews four of the more energetic, off-kilter (brain) dance tracks ahead of the full release…For example, the bitcrushed grime of ’Jackpot’, a highly infectious piece of freak music that perfectly defies proper categorisation, produced by the unlikely, but even-better-for-it, pairing of Wilted Woman and Christoph De Babalon, together as SUDS.Then there’s that big bass mutation of ‘Alva’ a high-pressure soundsystem time-bomb that crosses between dancehall, grime and tekno, produced by Zoe McPherson, proving once again that rhythm can be exploratory, full of intrigue, and hard-hitting at the same time.There’s also a big, bashy linkup from UK Funky veteran Roska as Bakongo, alongside one of the ’Hard Drum’ pioneers, and now Bristol-resident NKC who has been pushing that sound to deadly effect. Together, they created ‘Teardown’, a pure, undiluted drum tool, reduced strictly to to the most hard-hitting, and dance-able rhythmic elements.Last, but not least, one of Bristol’s finest crafters of dancefloor sonics, Lurka has delivered a prime example of his highly intricate, low-slung production style with ‘Patterning’ a lean cross of chuggin’, fizzin’ hi-tek dancehall, filled with heaps of funk and a deadly amount of bassweight.

Editions Mego: ...Second phantasmagorical audio outing from former Seefeel and Loops Haunt members, Mark Clifford and Scott Gordon. ‘Two’ expands the duo’s unique take on spectral synthesis incorporating a diverse amount of approaches to experimental sound. Two expounds a hybrid mix of acoustic based audio design, ambient tonality, sound effects, music, abstraction and world’s hybrid video game soundtrack.There is something of an onomatopoeia quality to the release as the six tracks take on the character of their individual title. Silt, Dapple, Overcurve, Scutter, Strain and Plates appear as extremely well executed versions of the inferred intent of their namesake. This inquisitive approach will appeal to those interested in the more exploratory end of sound production providing hope as newly formed methods and colours are exposed from the duo’s contemporary audio tactics.Seasoned veterans can lie in a bed of laurels whereas ‘Two’ is an exemplary release revelling in the enthusiasm that comes from the joy of unabated exploration.