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Giraffe
Desert Haze

Desert Haze

Artists

Giraffe

Catno

Marionette12

Formats

1x Vinyl 12" Album

Country

UK

Release date

Nov 1, 2019

Media: Mi
Sleeve: M

$48*

*Taxes included, shipping price excluded

A1

Drought

A2

Deception

A3

Heat

A4

Vapour

A5

Pressure

A6

Glare

B1

Stone

B2

Gravel

B3

Sand

B4

Ice

B5

Salt

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Butter Sessions: ...Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12” presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.The first installment opens with To Be Continued, an erratic composition from Aotearoa’s Vanessa Worm, charged with robotic bass and incessant hi-hats. Perth's upper shelf producers Guy Contact and Ewan Jansen respectively insert their own flavour with Kickflip Bouquet, a mid-tempo trance tinged number, and Back to Blood, a distorted percolating experiment. Meanwhile, Barcelona based Ivy Barkakati contributes Descarga; a gnawing improvisation piece. Sleep D offers up a brooding atmospheric piece of techno with 041111, whilst Japan’s Haruka follows suit with the elastic Ishinoko. Albrecht La'Brooy drifts into more tranquil terrain with the flickering Butter Soft before Low Flung & DJ Mind Leaf & The Herbalist wrap up volume one with the dub-induced Take Out.
Martin O'Cuthbert: 'B.E.M.S' (Esoteric Records):..."Seriously, when I played this record, an object on the wall started to vibrate very quickly, and I have witnesses to prove it. Martin O'Cuthbert is either a very evil person (just listen to the record) or a total fool (just listen to the record). Probably be big in Japan, and at a guess I'd say the whole thing comes off a Yamaha organ cos no synthesizer could sound that bad, could it?" (John Lydon, New Musical Express, July 22, 1978)