Horatio Luna
Yes Doctor

Efficient Space: ...Le Raccourci is a welcome introduction to the world of modern classical identity Sebastian Gandera. The impressionist landscapes of a sensitive soul self-reflecting, these miniature compositions alternate across a rudimentary set up of piano, field recorder, sampler and four track. Melancholic utterings hastily captured some 100km east of Paris.Classically trained by the same teacher as his parents, Gandera first began recording in the confines of his university dorm room, inspired by a C60 from friend and future collaborator Bernard Odot (A Gethsémani). Humbly existing without sparing a thought to music industry or career, Gandera’s personal effects surfaced via the European and US cassette networks from 1988 to 1994. Impressively accomplished for the DIY scene they orbited, these tapes were issued in scant quantities, rendering his pieces as private secrets shared and duplicated in small concentric circles. Aside from a sole, avowedly traumatic performance, the material was never shared in a live context.Selected by Sky Girl co-conspirer Julien Dechery, Le Raccourci culls 15 tracks from Gandera’s extensive cassette discography, discarded DAT recordings, and split CD with Lyon toy music project Klimperei. These sentiently charged compositions only hint at his larger catalogue, but act as a compelling cross section of the artist’s oeuvre. The identity is further detailed by archival images, Glen Goetze penned liner notes and original artwork from Perks and Mini’s Misha Hollenbach.While Gandera’s nostalgic melodies incidentally parallel with the piano key manoeuvres of Pascal Comelade, Robert Haigh and Dominique Lawalrée, Le Raccourci could only stem from the escapist desires of one Eric Morin.

boomkat: ...Pop Negatif Wastad’s eponymous EP from 1989, including all of their self penned songs. This is the first release in a series of reissues from the height of the 80’s & 90’s Welsh music scene."Hailing from mid Wales, Pop Negatif Wastad emerged in the late 80’s as the sole collaboration between Esyllt Anwyl and Gareth Potter. Esyllt cut her teeth in the exceptionally bent no wave group Crisialau Plastig, while Gareth – an actor on the UK soap opera Eastenders – was in the midst of breaking away from his post-punk group Traddodiad Ofnus to form the mighty hip hop/acid techno outfit Tŷ Gwydr. With their backgrounds in experimental pop and the thumping beat of the nascent rave scene looming in the background, the duo took an unapologetic approach to music making with no regard to formulaic sound, gender roles, or expectation.Esyllt served as the mastermind behind the music (along with Gorwel Owen on production – Rhosneigr’s answer to Martin Hannett) while Gareth balanced the project with his dialed vocal style and ideological approach. They developed an emotionally driven and fearless collection of tunes, a charged version of synth pop that elaborated on their experience within the Welsh scene while combining influences from emergent sounds akin to what you’d hear on The Haçieda dance floor (where rumour has it, their Be Music/ Section 25 invoking track “Iawn” was played). Stabs, arpeggiated synths, harsh percussion, piano house leads, concertina melodies, warped samples, and dubbed out delay were quilted together to the chug of drum machines, creating a genre-bending landscape woven with vocals reminiscent of New Order and Joy Division (with the added bonus of being sung in the Welsh language)."

A breath of fresh air for Animalia, as the label floats into its next release with a breezy, house tinged EP, tinged with the scent of summer and euphoria.Emerging new local Melbourne/ Naarm producer Billus reveals his knack for groove and percussive eloquence in Shifting Sands, with four lighthearted, spaced out tracks transporting you straight to a lakeside in Portugal... or to your very own chosen space of zen.