Han Sotofett Jaakko Eino Kalevi Andres Lõo
Jazzsomdub

P-Vine: ...This is the destination of Scandinavian Brazilians!　The perfect Brazilian jazz odyssey created by Roman Andren, also known as "Swedish Deodato"!The 2008 masterpiece album, which has a presence comparable to the many masterpieces produced by Azymuth and Airto Moreira, is finally on LP for the first time!Roman Andren is a keyboard player, singer, and multi-sound creator.The sound recorded in a large organization including the rhythm section, percussion, chorus and horn centering on his own keyboard is a luxurious Brazilian jazz reminiscent of Deodato around 1970!The warm and vintage feel of US crossover jazz is reproduced with miraculous freshness.In the first LP, all 10 songs carefully selected especially for analog will be recorded while following the flow of the original album. The overflowing peaceful world view, the dazzling colors and the beautiful tunes are revived in analog!

In the words of the New York Times, “Kassa Overall’s new album — the irreverently titled 'Go Get Ice Cream and Listen to Jazz' — attests to the diverse musical identity of this drummer, producer and rapper. It’s one of the few genuine-sounding, full-scope amalgams of contemporary hip-hop and jazz to surface in recent years.""Go Get Ice Cream And Listen To Jazz is a window into the life of Overall – a Seattle born, Brooklyn based artist wrestling with the abhorrent American prison system, over prescription of pharmaceuticals, ebbs and flows of romantic relationships, and perils of trust all minced through a kaleidoscopic lens of a brilliant 21st Century composer. The storied intermingling of jazz and hip-hop are decades in the making, and Overall’s cross-genre mix is evidence of a musical revolution existing in the mind of a master musician. A drummer at heart, Overall’s depiction of new music is conceptualized through his versatility as a producer with an unruly passion for electronic-production and the use of laptops and samplers.

This genuinely organic album, Godtet, recorded live in Studios 301, Alexandria, Sydney in 2016 is repressed for the first time in six years on the La Sape label. It celebrates the meditative potency of the (just over or under) two-minute track that begins, like 'Arp' or 'Hahahhaha', as ambient exploratory rhythmical waves leading into sounds to come. Like 'Hekkaz' where Tully Ryan and Dominic Kirk's percussive poundings and slappings pleasurably alert the listener to the more luxurious melodic mixture of Andrew Bruce's keys with Godrigues' lamenting guitar, playing harmonious echoey expressive beats. Here, one of the many stand out tracks 'Ensueo' is only matched by the even more groovy and halting 'Comedy', bassline by Jan Bangma. Recorded and produced by Godriguez and Jack Prest who also mixed and mastered this conceptual adventure into the world of rhythm and reverb where John Martyn meets Alfa Mist, Godtet lovingly foregrounds each band member's singularity, culminating in the exceptional self-titled final piece. A must for those who love a late-night listening session over and over again.

Oregon sextet Elite Beat continue their dubwise world-groove mission with a two track 12”of what sounds like organic, in the moment live takes with an intro count to boot. Layers of psychedelic sax and drums ebb and flow alongside heavy low end, building on their compilation of ‘healing and hypnosis’ inspired jams Selected Rhythms Vol. 2. Despite being based across the ocean, big Jah Shaka dance vibrations occupy the A-side with a steady house tempo combining with the woodwind across ten minutes of proper body music.The slower, introspective approach to side B takes in elements of post-rock with flourishes of electric guitar yet grounds itself in the dub mentality through pulsing sub-bass and swirling synth work. The wide-reaching bed of influences present in Portland’s bands, shops and labels shows itself time again in Elite Beat’s work, evident through recent collaborations with Mdou Moctar and past outings here at Research.