OK EG
Anther

Editions Mego: ...Bastet is a ritual study gliding the path from the rites of the ancient to the realm of the modern. Bastet is the name of the ancient Egyptian goddess closely linked to music and female power who coerced humans to entertain her in order to keep her untamed animalistic side in check. Whilst absorbing this legend the second LCC release presents itself as a vast canvas of ritual, restraint and spacious sonorities. Stark and unnerving Bastet is not reliant on pure electronics as abstract theatre but rather utilises these tools to conjure a world circling the spheres and planes of symbolic human activity.Recorded throughout 2016 among residencies at the legendary studios EMS of Stockholm, the Inter Arts Center of Malmö and their own studio in Gijón, Bastet is a rich experience: cryptic, visionary and utterly compelling. 8 tracks laying forth a deep listening journey into the netherworlds of human experience, movement, ritual and space.

boomkat: ...Killer art-skool avant-pop from 1981,sung in made-up languages and dished up for the first time by Concentric Circles - the personal imprint of Freedom To Spend’s Jed Bindeman, following his issue of Carola Baer’s home-brewed synth-pop masterpiece. Kudos to Bindeman for reaching the point, after just a couple of releases, where we're convinced beyond any doubt that everything on this label is gonna be gold.

smilingc: ...Muž Ze Skla seems to be one of the few house records of its style coming from Czechoslovakia during the ‘90s, and with good reason. Labels like the government-run Supraphon dominated the electronic music industry during the communist party rule through the '70s & '80s, controlling the styles of music that artists were allowed to release. In 1990, Czechoslovakia had its first free elections in nearly 45 years. What came of it was the installation of a new democratic party, and new opportunities for artists like Jindřich Parma to release the music they wanted to.