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Following up with his release with Quit Life on Year0001, Bloodz Boi collaborates with Claire Rousay and More Eaze on a new record – A Crying Poem. Bloodz Boi convey’s a dream, an unforgettable love, and a rebirth giving a glimmer of hope. All lyrics are based on poems by Bloodz Boi. “Words have no power,” so he wanted to sing the poems to pay homage to fragments of his memory. Orchestration and production is in collaboration with Claire Rousay and More Eaze. This album conveys a blunt sadness coalescing with new forms of romanticism. A fitting pairing of artists, the record is cohesive and a singular beauty.Album art and layout by Seth GrahamMixed by More EazeMastered by Andrew Weathers

The Snakes: future, past, present punk. Outsider rock'n'roll for the greedy listener. De ja vu punk with satisfying sounds, dirty rhythms and shrieking tones. Snakes perform reptile rock with flange and overdrive, shrill budget keys and cowboy swing drumbeats. Cohesive blend of L.A. sleeze, post punk and pop.Providing the new soundtrack for the depraved and twisted - casual bangers include Snakes Bday, Solid Income and Pop Song that fit in with the likes of your Richard Hells, your Gun Clubs and your Electric Eelses. Snakes are Steph Cheeseman, Charlotte Zarb, Jimmy Mcgarrie, James Dadd and Lewis Hodgson.

Efficient Space: ...3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Combining frantic, yet taut and rapidly paced rhythms amidst playful, almost child-like riffs and melodies that just about make you want to pull your hair out, Smarts are a sound of their own.The band stemmed out of a bedroom demo that was recorded for fun a year earlier by Billy Gardner (bass, vocals) and Mitch Campleman (guitar) in Geelong. After letting it collect dust for 12 months, they assembled a band to perform the songs live featuring Jake Robertson on drums and Sally Buckley on synth; and released the four-song demo cassette, “Smart World”. Stella Rennex later joined the band, filling out the sound largely with her eccentric saxophone parts."Who Needs Smarts, Anyway?" was recorded by the band themselves over a weekend slumber in Geelong at the DIY studio setup; The Barracks, with finishing coats added in Melbourne before sending off to mix-master- Mikey in Rye. There’s a feeling throughout as if the whole thing could collapse into pieces at any moment, and just when you think it’s about to, Smarts weave their way out and into a new direction.Points of reference could be compared to the quirkiness of LA’s Suburban Lawns or Geza X, as well as citing influence from modern sounds like Japanese band Vodovo and the ever-evolving Midwest American punk scene. It could even be viewed as a refreshing and original extension on the so-called “egg punk” genre.