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The filthiest of dungeon crawling synth-noise acts has returned. Let the universe howl in despair, Robedoor is delivering to us their 'Negative Legacy'. This is the duo's 1st full length album for Deathbomb Arc, on the heels of decades worth of one offs and comp tracks for the label (including a collaboration with Grammy and Tony winning member of clipping, Daveed Diggs). On 'Negative Legacy', Robedoor dive deeper into murky beats than they ever have before, while introducing a new element of melodic vocals to resonate through their unlit caves of hopelessness. Let the dark eternity begin.

Mona Steinwidder is Museum of No Art; an experiment in traces of sounds, empty space and playful ritual. Samplers, synths and airy vocal samples leave ‘space in all directions,’ carving structure out of light memory and leaving the listener with plentiful room for breath within the museum's expansive, inverted white walls. The intention behind the album, Steinwidder states, was to deepen her intuitive practice and build a meditative playground with infinite potential. The Hamburg artist has worked under pseudonym Mohna (Me Succeeds), and in collaboration with composer, Alexander Schubert and electronic producer Christian Löffler (Germany); catalyzing this multi-modal approach, a refreshed, quiet sound developed over six months of heavy experimentation in Vienna. The Museum emerges from ‘La Grotta,’ where bio-illumined wormy synths make an ascending haste; lighting up the four walls, playing with resonant drums bouncing off stalactites. Track 5, ‘Form and Focus’ invites delayed wind melodies and sawwy pads in glorious painterly drone. Throughout the LP, Mona’s airy sampled vocals enter in ritualistic repetition, in offering, clarity. Absolute must for daytime dreaming, introspection and relief. - (ioki)