Sound Synthesis
Soul Signal Modulation

boomkat: ...Smiling C have us beaming again with ambient house treasure from a lesser-hailed node of the early ’90s UK house and rave sceneDancing between the lines of jacking Chi-house, psychedelic bleep techno and ambient house, the ‘Mad Vibe’ EP is the sole output by DJ Mad & Dr. Stevie The Ambient Guru, who, if we’re not mistaken, hail from the raving outpost of Middlesbrough on England’s North East coast - a sorely overlooked bastion of the original northern UK rave circuit. This level of detachment from the UK rave scene perhaps explains the offbeat formulation of the ‘Mad Vibe’ EP, which clearly echoes the styles of Yorkshire bleep ’n bass an hour south, but with a rawer, radgy, playful edge.A-side sports ‘Northern Echo’ with its properly charming mix of palm wine or Hawaiian guitar and simmering, latinate machine rhythms in deliciously woozy style, while ‘Communication’ hops around on a sparky jack attack with tumbling toms, nagging bleeps and catty psych guitar licks in the last third. B-side only gets ruder with ’System Shock’ working on the cusp of New Beat and some other strain of quintessentially UK rave nuttiness, and ‘Levitating Pharaohs (Full Frontal Spacehead Ambient Mix)’ wraps up in the barminess in balmy ambient guitar, sweet synth chords and rustling NYC deep house rhythms.

ORANGE MILK RECORDS: ...Headbanging In The Club is an ode to the Pittsburgh underground electronic music community. In a small city with very few recognized club spaces, we make our own clubs in the underground on our own terms. We celebrate our unique intersections of noise, punk, breakcore, IDM, and DnB as we headbang and thrash around. What defines a club space? Who says we can't bring the club to the punk venue? We challenge the frameworks of club culture and what it means to dance in the club. This album is the essence of a hardcore dance experience on the fringes of the Burgh. && we headbang in the club.with love,W00dyAll tracks were written for live performance and have been played all over the US in the past three years.

boomkat: ...Sterling first volley from Bristol’s Young Echo Records, featuring Sam Kidel (Killing Sound) and Amos Childs (Jabu) backing Rider Shafique’s incisive, intimate reflections on I-Dentity in modern Britain.Perhaps best received as a clear response to the divisive, race-baiting politics our times, in both parts Shafique presents an ice-cool yet impassioned dissection of the state of playlucidly channelling his thoughts in a rooted, low-key style that resonates with the delivery and impetus of classic dub poetry from Linton Kwesi Johnson and Mutubaruka.However, this being the first release from one of the UK’s most conscientious, variegated and distinctive outfits, don’t expect them to play to convention. This is most apparent in I-Dentity, where Shafique’s ennui and haunted ontological observations intersects Sam Kidel’s miasma of coruscating strings and insectoid inflection, creating a weightless, pensile and abstract space where Shafique ruminations on the stubborn hangovers of the colonial mindset and the semantics of its redundant taxonomies resonate in a wholly unique manner, similar to the way Kidel’s juxtaposed materials in his amazing Disruptive Muzak LP for The Death of Rave.For a smart contrast, in the flip side’s Freedom Cry, Shafique spells out a more positive, stately message, hailing the heroes of the Civil Rights Movement against Jabu’s unfathomable, melting backdrop of slow, celestial jazz swoon, with the lyricist holding tight to his message at the centre of it all. If we’re totally honest, on previous records Shafique’s delivery has seemed slightly over earnest or, conversely, even too droll to us. But here it makes complete, affective sense.Highly recommended!