Sam Brickel
Speaking Through Machines

from Peter Knight (http://peterknightmusic.com/): ...A collaborative project from Melbourne Australia co-led by singer-songwriter Paddy Mann of legendary Melbourne alt-folk group, Grand Salvo, and progressive composer, sound artist, trumpeter, Peter Knight (Artistic Director of the Australian Art Orchestra). Featuring leading experimental/new jazz musicians: Erik Griswold prepared piano and toy piano, Vanessa Tomlinson percussion, Andrew Brooks saxophone, Joe Talia drums/Revox B77.This is music that is impossible to categorise: strange but accessible, abstracted but also melodic. Music that exists in the meeting point between folk-pop and nu-jazz/improv/sound art…

Stroboscopic Artefacts: ...Churches Schools and Guns. A provocative name for a provocative album of techno from one of the genre’s most consistently intriguing producers, Lucy. This, his second solo album, pushes forward from his debut full-length, 2011’s Wordplay for Working Bees, and firmly establishes him in a league of his own. Over the past few years Lucy’s label, Stroboscopic Artefacts, has became a watchword for techno’s vanguard – providing a platform for new artists pushing at the genre’s boundaries and a harbor for some of the most experimental work from names you already recognize. Lucy’s progress as a producer has followed that same trajectory, moving from relatively straightforward dancefloor-driven material to deeper, murkier places. Churches Schools and Guns continues on, a collection of 12 tracks that sound – more than anything else – like the act of searching.

smilingc: ...Fritz Bootle, Jr. (F.J.) story began in Freeport on the Grand Bahama Island. While legendary balearic acts were honing in on a sun-soaked sound at Compass Point Studios on the nearby island of New Providence, you could ferry over to Freeport, to witness an equally flourishing scene of soca, reggae, and disco music. If you were lucky, you might’ve caught a live show from F.J. at one of the various clubs around town. During the early ‘90s, regulations on drug traffickers were quite loose which meant discotheques were in full swing and the island attracted a bevy of pleasure-seeking tourists. In addition to the clubs, fish fry’s at the beach were popular places for locals to grab a beer and some snapper to hear the DJs play new selections from neighboring islands. It was a lively time on the island, and F.J.’s music was meant to reflect the relaxed attitude that came with the archipelago lifestyle.