Sons And Daughters Of Lite
Let The Sun Shine In

On the album Shadow Dancing (originally released in 1985), you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).Tidal Waves Music proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

In the words of the New York Times, “Kassa Overall’s new album — the irreverently titled 'Go Get Ice Cream and Listen to Jazz' — attests to the diverse musical identity of this drummer, producer and rapper. It’s one of the few genuine-sounding, full-scope amalgams of contemporary hip-hop and jazz to surface in recent years.""Go Get Ice Cream And Listen To Jazz is a window into the life of Overall – a Seattle born, Brooklyn based artist wrestling with the abhorrent American prison system, over prescription of pharmaceuticals, ebbs and flows of romantic relationships, and perils of trust all minced through a kaleidoscopic lens of a brilliant 21st Century composer. The storied intermingling of jazz and hip-hop are decades in the making, and Overall’s cross-genre mix is evidence of a musical revolution existing in the mind of a master musician. A drummer at heart, Overall’s depiction of new music is conceptualized through his versatility as a producer with an unruly passion for electronic-production and the use of laptops and samplers.

ORANGE MILK RECORDS: ...Drop Shadow is the new album from New Zealand native Luke Rowell, and his first release under the Eyeliner name since 2015’s Buy Now (Beer on the Rug). The album is filled with highly composed MIDI pop music that covers a range of mood and emotion, from the uplifting Vince DiCola-esque opener to the beautiful digital vocal “ahh”s that merge into crashing waves at the end of “Keep Calm”. Rowell is using the language of instrumental dance and pop to express multiple themes, the first being personal loss and caring for a sick loved one, as reflected on the suite of songs from “Contact” to “Carry On”. At the albums center these songs form a sort of emotional core that also reframe lighter pieces like “Coffee News” as mini respites along the way.Drop Shadow also explores Rowell’s fascination with American and Japanese music culture and their many intersections, most evident to me on the upbeat “Drop Shadow” which utilizes the Korg Wavestatoion and M1 VST (which is the highest selling synth of all time in its hardware form) and lands somewhere between early house music, a Madonna instrumental, and something from a Nintendo 64 soundtrack.If the previous Eyeliner album LARP of Luxury can be seen as a sunrise record and BUY NOW as night time music, Drop Shadow goes from morning to night and back again. Songs like “Reverie” can feel bright and head-nodding on first listen, only to shift into a hopeful melancholy the second time through.