More Eaze Claire Rousay
Never Stop Texting Me

ORANGE MILK RECORDS: ...Review from 'a closer listen' ~"Luis Pestana‘s debut is unlike anything else on Orange Milk Records; in fact, it’s like little else on the market. The set unfolds like a radio play, embracing multiple genres and instruments: choirs and church bells, woodwinds and hurdy-gurdy. The Portuguese artist calls Rosa Pano “his own folklore, inspired by his mother’s lullabies,” although the timbres are more likely to wake a listener up than to lull one to sleep. There are no track breaks, providing a seamless experience; one is drawn into the dream. We would not be surprised to see a troupe adopt the extended piece for an exercise in creative choreography.“Oneia” begins as a slow march with church bells, a female voice and a sense of procession. At the end of the track, a clock is wound and allowed to tick; a baby begins to cry. Then chimes ring out and the tape enters a new phase, a fairy-tale world populated by buzzing sprites and synthesized surges that seem more Subtext than Orange Milk. Is the baby sleeping yet? As of Track 3, she is not. Multiple voices converge, keeping her awake and agitated. A short, solid drone leads to the busiest piece, “Au Romper Da Bela Aurora” (“A Break from the Beautiful Dawn”), where zither lays the foundation for an architecture of operatic voices.The electronic tones return for the end run, percussive in nature, implying a flight through the forest back to safer ground. At the end of “Asa Machina,” the machines break down with a stutter, revealing a persistent choir. A lone flute, possibly from Pan, leads to the nine-minute title track, in which a siren’s cry is answered by a chorus of wolves. As a final drone approaches, the fairy tales crash together on a single shore. Once again, church bells ring, the mysterious story returning to the beginning: cycling, although changed, like a dreamer nourished by fantastic visions. Are we dancing or are we dreaming? Either way, we’ve grown enchanted by Pestana’s folkloric world."(Richard Allen)acloserlisten.com/2020/11/22/luis-pestana-rosa-pano/ Celeste (vocals) Elizabete Francisca (vocals)Alibori H. (woodwinds) Bruno Pereira (zither)Janita Salomé (arrangement and vocals on 5)Vitorino (vocals on 5) Carlos Guerreiro (hurdy-gurdy on 5)Contains samples from Julia Wolfe, Warner Jepson,José Pinhal and Krzysztof KomedaWritten and produced by Luis PestanaMastered by James PlotkinArtwork by Mariusz LewandowskiLayout by Keith Rankin and Adrienn Császár

ORANGE MILK RECORDS:...Nick Storring's eighth album (and third release for Orange Milk Records) takes the one-person-orchestra approach for which he is acclaimed and translates it to a single instrument: the piano. Recorded on everything from the innards of an old upright piano to a Disklavier (a computer-controlled acoustic piano) housed at Yamaha's Toronto offices, and using playing techniques that span conventional to idiosyncratic, Storring conjures a vast and vivid colour palette. Music from 'Wéi 成为' was composed for the choreography of his frequent collaborator, Yvonne Ng and began its life in a residency at the Banff Centre in December 2017. Just like the unique movement vocabulary found in Ng's quintet dance Wéi 成为, Storring's copiously layered score moves fluidly between tender lyrical phrases and driving interlocking figures, and from thick textural swarms to supple transparency.

ORANGE MILK RECORDS:...“Mirage Repair” is an album that explores our delusions, and the manner in which we willing construct them around ourselves - as a means of self defence. Unfolding like a dream sequence “Mirage Repair” envelopes you in a warm slippery haze, seducing you into analternate sensual dimension. However, logic doesn’t abide there - Songs rarely end as they should...they wither away, trail off, or transform into something completely different, and unexpected. Written in the strange liminal space between the elated anticipation of enteringparent-hood, and watching helpless as loved-ones wither away - it is an expression of utter shock at our corporeality, and the stubborn refusal to accept we are mortal. Music lasts forever, music withers away. Anxiety Funk. The hard limits of flesh, and loss of memory."

ORANGE MILK RECORDS: ...Drop Shadow is the new album from New Zealand native Luke Rowell, and his first release under the Eyeliner name since 2015’s Buy Now (Beer on the Rug). The album is filled with highly composed MIDI pop music that covers a range of mood and emotion, from the uplifting Vince DiCola-esque opener to the beautiful digital vocal “ahh”s that merge into crashing waves at the end of “Keep Calm”. Rowell is using the language of instrumental dance and pop to express multiple themes, the first being personal loss and caring for a sick loved one, as reflected on the suite of songs from “Contact” to “Carry On”. At the albums center these songs form a sort of emotional core that also reframe lighter pieces like “Coffee News” as mini respites along the way.Drop Shadow also explores Rowell’s fascination with American and Japanese music culture and their many intersections, most evident to me on the upbeat “Drop Shadow” which utilizes the Korg Wavestatoion and M1 VST (which is the highest selling synth of all time in its hardware form) and lands somewhere between early house music, a Madonna instrumental, and something from a Nintendo 64 soundtrack.If the previous Eyeliner album LARP of Luxury can be seen as a sunrise record and BUY NOW as night time music, Drop Shadow goes from morning to night and back again. Songs like “Reverie” can feel bright and head-nodding on first listen, only to shift into a hopeful melancholy the second time through.

ORANGE MILK RECORDS: ... Annulus is Ryu Yoshizawa’s third release on Orange Milk as Koeosaeme. His 2019 LP Obanikeshi was a barrage of high resolution abstract compositions, and Annulus picks up from there, refining the style and adding an extra layer of inspiration from the Southeast Asian folk music of Burma, Thailand, China, etc. He inserts music concrete with silky repetition, making you feel as if you are walking through parts of Asia, contemplating experimental music. Annulus is peaceful, melodic, atonal, and flows together as one big piece. Part 1 of the record is concrete music, and Part 2 is described as abstract music. It is distinctly Japanese despite other western influences like Steve Reich and Jon Hassell; music meant for a documentary that will be made in the distant future. Annulus features collaborations with Hidekazu Sakamoto, Seth Graham, and LXV.Koeosaeme is Ryu Yoshizawa. From 2004, he has been a member of the sound artists group “OFFICE INTENZIO” under Yellow Magic Orchestra’s Yukihiro Takahashi. In addition, he is in charge of live event backup support and recordings for Ryuichi Sakamoto, Yukihiro Takahashi, Kyoka and many others. He also produces music commercially for Lotte and Square Enix.