Cocktail Party Effect
Oscilloscope Detachments

Seance Centre: ...Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters.Lallo has created her own inimitable galaxy of sound where the human voice, liberated from the constraints of language and abstracted using digital technology, is able to explore the outer realms of human expression, like Joan La Barbara with an Eventide and a new-age sensibility. Although Lallo’s flight path is distinctly her own, her journey converges with other travellers as diverse as Jon Hassell, Laraaji, Stereolab, William Aura, Laurie Anderson, Meredith Monk, Gertrude Stein and even Terry Gilliam (whose film Brazil was a big influence on Lallo). Like something beamed in from another planet, Lallo’s work is both fascinatingly strange and strangely familiar, and will leave a lasting impression for lightyears to come. Double gatefold LP, remastered DMM pressing.

A five part tome to the ongoing trials and tribulations of navigating relationship and parenthood, “double checks on the corner” is a song cycle that encapsulates so much of what is seen as a hyper-domestic experience but digs deep into the nuances that are left behind doors or in text threads.Bringing together the emotive songcraft that made “quiver” a highpoint in Ahmad’s back catalogue with the production aesthetic that makes her last two albums stand alone in the world, the melancholic lyrical observations on “double checks against the corner” are placed front and centre within the warm arrangements, constructed in the home with sounds from her most trusted collaborators.

smilingc: ...Fritz Bootle, Jr. (F.J.) story began in Freeport on the Grand Bahama Island. While legendary balearic acts were honing in on a sun-soaked sound at Compass Point Studios on the nearby island of New Providence, you could ferry over to Freeport, to witness an equally flourishing scene of soca, reggae, and disco music. If you were lucky, you might’ve caught a live show from F.J. at one of the various clubs around town. During the early ‘90s, regulations on drug traffickers were quite loose which meant discotheques were in full swing and the island attracted a bevy of pleasure-seeking tourists. In addition to the clubs, fish fry’s at the beach were popular places for locals to grab a beer and some snapper to hear the DJs play new selections from neighboring islands. It was a lively time on the island, and F.J.’s music was meant to reflect the relaxed attitude that came with the archipelago lifestyle.