Charlie Megira Und The Hefker Girl
Charlie Megira Und The Hefker Girl

After the demise of the Ooga Boogas in the Before Time, the four band members went their very separate ways. Being in that band was such an intense high pressure experience, some chillax time was well-deserved.Stacky recorded under the name Leon, Per joined Voice Imitator, Mikey recorded with The Green Child and Rich played in Drug Sweat. All quite deserving projects, but it was Leon's solo outing that garnered the most interest from public and industry alike. The demand for live shows led Leon to recruit Per from Ooga Boogas and a guy named Brad into his touring lineup.The trio was red hot, but inevitably the venues they filled required a fuller sound so Leon recruited Mikey from Ooga Boogas on second guitar. The gruelling touring schedule became too much for family-man Brad, so Rich from Ooga Boogas jumped in to fill his size 11s and off they went for another lap of regional Victoria.Eventually the question presented itself to this freshly-minted foursome: should they continue as Leon's backing band or strike out anew with a fresh identity? The answer came in a moniker too electrifying to resist; a name as clever, enigmatic and indeed, as powerful as the band itself. Power Supply.Back in the shed, jams became songs, jokes became lyrics and long afternoons spent together became the record you're now half-listening to while you yearn for your inbox. Listen though, and you'll hear life through the lens of Leon and the tactile tentacles of his pals. In The Time of the Sabre-toothed Tiger contains ten songs that listen so easy, you'll barely notice when they're gone.

Lunatic moon! What did you give birth to? A blip, slipshod and shooting has rebooted. Just who are these Hierophants and where on earth have they been - If even on earth at all?They stopped by once before traversing verses and entered obscurity shortly after their 2015 release Parallax Error. As the stars would have it, again they have merged, conceiving their latest LP Spitting Out Moonlight on a hill in Rye and left with Mikey Young to make sense of it all.They are here to put lamps in your lobes where no other light goes. A synapse perhaps, nosing through nodes of those who know it is in their best interest - it is in your best interest - to surrender. Their release is nigh, so seek them now and decide for yourself, does it make you feel neurotic, neuronic, or even moronic?Quick! It is only a short stopover, a glitch visiting and phasing in, out. Anti Fade! Thy saviour of light! Oh, yes, it is very moonee, very moonee indeed.

‘The Beginning & End Of Cereal Killer” is the band’s first full length album to date and also their last release since 2016’s, “Demo’s EP”. The album was recorded over six weeks of tracking in the famous Geelong studios, “The Barracks”, before calling upon mastermind Mikey Young to sail his yacht across the bay and put his much practised mixing techniques into full effect. The result is mind-blowing.Cereal Killer gained worldwide success in 2016 after their headline performances at Glastonbury and Coachella festivals where they blew away hundred’s of thousands of adorning fans and reached international stardom.The band have not performed since 2018’s Old Bar show on August 17, in which a predicted 7,000 screaming fans crammed into the building. However, rumours of an album launch on August the 3rd this year are emerging, and tickets are predicted to sell out within the first hour of sale.

Combining frantic, yet taut and rapidly paced rhythms amidst playful, almost child-like riffs and melodies that just about make you want to pull your hair out, Smarts are a sound of their own.The band stemmed out of a bedroom demo that was recorded for fun a year earlier by Billy Gardner (bass, vocals) and Mitch Campleman (guitar) in Geelong. After letting it collect dust for 12 months, they assembled a band to perform the songs live featuring Jake Robertson on drums and Sally Buckley on synth; and released the four-song demo cassette, “Smart World”. Stella Rennex later joined the band, filling out the sound largely with her eccentric saxophone parts."Who Needs Smarts, Anyway?" was recorded by the band themselves over a weekend slumber in Geelong at the DIY studio setup; The Barracks, with finishing coats added in Melbourne before sending off to mix-master- Mikey in Rye. There’s a feeling throughout as if the whole thing could collapse into pieces at any moment, and just when you think it’s about to, Smarts weave their way out and into a new direction.Points of reference could be compared to the quirkiness of LA’s Suburban Lawns or Geza X, as well as citing influence from modern sounds like Japanese band Vodovo and the ever-evolving Midwest American punk scene. It could even be viewed as a refreshing and original extension on the so-called “egg punk” genre.