Mouche
Lake Songs

Animalia mainstay Sam Brickel returns with the Pulse of Life LP. A diverse, dreamy & lighthearted embodiment of Animalia's signature style. Genre spanning, deep, cinematic & playful, the LP dips between bass-driven grooves, bouncy tech-house & jungle inspired euphoric rollers. A listening adventure for various contexts... a moment for every hour on a dance-floor, choose your own adventure through the free spirited world of Animalia.

Production duo Dj Dogg and Furious Frank are back with the third edition of their series… this time in full remix treatment!While keeping in line with their signature underground raw house style, volume three explores some new sounds for the series, including vocal cuts, euphoric early trance melodies, big bass and more.

Editions Mego: ...Reflecting Ambarchi’s profound love of Brazilian music – an aspect of his omnivorous musical appetite not immediately apparent in his own work until now – Simian Angel features the remarkable percussive talents of the legendary Cyro Baptista, a key part of the Downtown scene who has collaborated with everyone from John Zorn and Derek Bailey to Robert Palmer and Herbie Hancock. Like the music of Nana Vasconcelos and Airto Moreira, Simian Angel places Baptista’s dexterous and rhythmically nuanced handling of traditional Brazilian percussion instruments into an unexpected musical context. On the first side, ‘Palm Sugar Candy’, Baptista’s spare and halting rhythms wind their way through a landscape of gliding electronic tones, gently rising up and momentarily subsiding until the piece’s final minutes leave Ambarchi’s guitar unaccompanied. While the rich, swirling harmonics of Ambarchi’s guitar performance are familiar to listeners from his previous recordings, the subtly wavering, synthetic guitar tone we hear is quite new, coming across at times like an abstracted, splayed-out take on the 80s guitar-synth work of Pat Metheny or Bill Frisell. Equally new is the harmonic complexity of Ambarchi’s playing, which leaves behind the minimalist simplicity of much of his previous work for a constantly-shifting play between lush consonance and uneasy dissonance.