Chuck Senrick
Dreamin'

EM Records: ...Here's a tasty treat for all fans of DIY pop music: a multinational confection, the perfect blend of sweet and smart. Based around the core members Matt Jones, originally from Western Massachusetts, and Busan native Jee Eun Lim, who met in Korea in 2011, The Jee Jee Band fuses simple pop structures, airy instrumentation and breathy vocals with clever lyrics, in both Korean and English, often of a satirical or political nature. Currently based in Northern California, the band quietly celebrates Korean culture while also evidencing a cosmopolitan classic pop sensibility, blending K-Pop and other Asian pop elements with a classic and yet contemporary US/UK pop feel. The songs on "Glass Fish", all very fresh-sounding, feature performers from South Korea, America, and, on one song, the Khmer-language vocals of Cambodian filmmaker Vanntey Morn. Jones' Western Massachusetts pop roots allowed him to enlist the skills of former members of Sunburned, Sebadoh and others to help record this charming and refreshing release, sure to appeal to fans of the K Label, DIY sounds, and pure pop.

Modern Methods For Ancient Rituals is an experiment in acoustic and synthetic symbiosis which is deeply influenced by the atmosphere and acoustics of the rural location of Cats Abbey resulting in a set of recordings which can aid to the transformation of consciousness. Deploying a range of ancient and modern instruments and effects including Buchla Music Easel, harmonium, shruti box, bass guitar, hurdy gurdy, Electro Harmonix 45000, Strymon Blue Sky and Roland RE 101 Space Echo among others, Child and Bean conjure an audio experience which encapsulates elements of drone, trance, pulse, rhythm and melody subtly shifting all into a psychologically penetrating experience beyond the aesthetic and into the comforting unknown.

Seance Centre: ...We humans, the nascent beings that we are, still haven’t quite figured out the full potential of music. Dancing, meditating, emoting, protesting; these are all pretty basic. But what if we communicated more complex ideas with music? What if we codified all of our activities with music? This idea came to composer Joanne Forman when she was commissioned to create the soundscape for an environmental exhibition of sculpture called Artifacts from an Alien Civilization in 1987. The sculptures, elaborate ruins that had been found on the moon, begged the question: who created them and for what purpose? Joanne Forman imagined that Earth’s moon was a vacation spot for advanced beings from another galaxy. Cave Vaults of the Moon became a collection of sonic texts describing the fun things that went on there; earth-viewing, collecting information, building and playing. In her mind the sculptures in the exhibit were the remnants of a deserted playground of moon castles.

The filthiest of dungeon crawling synth-noise acts has returned. Let the universe howl in despair, Robedoor is delivering to us their 'Negative Legacy'. This is the duo's 1st full length album for Deathbomb Arc, on the heels of decades worth of one offs and comp tracks for the label (including a collaboration with Grammy and Tony winning member of clipping, Daveed Diggs). On 'Negative Legacy', Robedoor dive deeper into murky beats than they ever have before, while introducing a new element of melodic vocals to resonate through their unlit caves of hopelessness. Let the dark eternity begin.