Luca Lozano
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EVAR Records: ...With a fundamental emphasis on the encouragement of genre hybridization, Evar Records, the Los Angeles-based imprint co-founded by Trickfinger (John Frusciante) and Aura T-09 (Marcia Pinna), continues its momentum with an expansive 9-track collection from Netherlands-based luminary, Limewax.After making a strong first impression with its 2020 debut offerings, Evar Records has recruited Limewax to carry forward its mission of blurring boundaries and challenging conventions in electronic music. The Ukranian hard drum and bass hero happily obliged, referring to signing with Evar as a breaking point which allowed him, finally, to take full stock of his background in classical and electronic music simultaneously. Although Maxim Anokhin is widely known for his hard-edged breakbeats, releasing on labels such as Tech Itch Recordings, Position Chrome, Freak Recordings, and PRSPCT, the full scope of his artistry shines through on Untitled.

BUTTER SESSIONS: ....The project of Julien Huynh and Will Holden, Hybrid Man returns after releasing four spacious cuts of downtempo breaks and house in 2019. This time debuting on Butter Sessions, the tracks on Shapeshifting feel like a natural progression, equally well-crafted with the DJ in mind but with a slightly more trance influenced modus operandi.Opening with ‘Virtual Language’, the duo seemingly nods in the direction of Richard H. Kirk’s seminal Virtual State album, inspired by the futurism and warm robotic soundscapes of the 90s ambient techno scene. Dub FX and swirling basslines underpin the stylistic make-up of the EP, sharp breaks on the title track recalling 5AM catharsis in a pre-lockdown state of loved up rave bliss.

from daisart: ...About:‘where i am allowed to sit for one more day, and this is an endless wonder’... A transversal thing from object to image. This book by ‘Ｊ’ inlcudes poetry, prose, drawings and contributions from Angelina Nonaj, Hanne Boulanger, Emily Yuting Chen, Sam Horman, Harriet Jones, Sami Domenico, Laila Sakini, and Sam Mullany; plus an interview with ‘Ｊ’ by Lauryn Groševs.Excerpt:I can find it difficult to articulate things into words, it's as if I can't find the (right) words. Sometimes it's a gesture, a look or a glance, or a simple movement that seems to communicate, or embody, what I want to say or what I "mean". The next question, for me, is what changes, or rather who. The absurdity of closeness, of putting things together, building meaning.128 pp.Text by ＪWith contributions by Angelina Nonaj, Hanne Boulanger, Emily Yuting Chen, Sam Horman, Harriet Jones, Sami Domenico, Laila Sakini, Sam Mullany and Lauryn Groševs.Perfect bound softcoverCover art "song" by Harriet Jones111 x 185 mmFirst edition of 225Language: EnglishNaarm, November 2021ISBN 978-0-6453065-0-7

Editions Mego: ...is proud to present the latest addition to the compelling discography of Thomas Brinkmann. Throughout his career Brinkmann has focussed on the human operating amongst industry alongside rhythms that manifest as a result of technological advancement. With this new release Brinkmann makes a u-turn, looking back to the early industrial age. Comprised of recordings of various looms, Raupenbahn investigates the sonic properties and consequences of the first automatic loom as constructed by Jacques de Vaucanson in 1745. Thomas Brinkmann once again adheres to his tendency for clarity and simplicity whilst further investigating not only the sound and rhythms of the machines (looms) but also what role they serve in society and what consequences they have on the environment. Raupenbahn presents 21 tracks in total, 11 feature on the vinyl, the remaining 10 as digital bonus tracks. The majority of recordings were undertaken by Brinkmann in 2017 with a Neumann KM 184 stereo set. Additional recordings were sourced with permission from Monika W. recs. from 2014 Central Museum of Textiles Łódź, Poland. Each piece presents a diversity of material which borders on the breathtaking and beautiful in richness and complexity. The various looms unravel rhythms and patterns unexpected from machines of the early industrial age.