Crack Cloud
Red Mile

Drawing from a collective musical lexicon as seen in Amici, Sogni (which translates to 'Dreams') reflects on themes of decision-making, change, time, heartbreak and the practicalities of work and daily life. Primo!'s music is a study of duality, weaving through these themes with an idiosyncratic delivery that is punctuated by post-punk sensibilities, upbeat jangle and unexpected electronic flourishes.Sogni sees the introduction of Amy Hill on bass, adding to the original trio of Suzanne Walker (drums), Violetta Del Conte-Race and Xanthe Waite (guitars). There’s a freshness here, a breaking of new territory that's a testament to the group’s collaborative work ethic and experience in their associated bands.Spanning just under 30 minutes, Sogni’s twelve songs were conceived collectively in the rehearsal room and perfected in a live setting, before being recorded to an 8-track with Al Montfort across a number of home studios in Melbourne.The resulting LP comes with a languid and fluid pace. Opener “Things To Do” sets the tone for Sogni, a record that reflects Primo!’s day-to-day life, with sharp lyrics and a chiming encouragement. “Perfect Paper” propels the album into cruise, with splintering guitars, “Machine” highlights the work-hierarchy struggle (you told me just what I should do / but the problem is you’re only human / and I just can’t listen to you / machine, machine, machine”). “Best and Fairest” questions the idea of an ideal life, while “Love Days” reflects on past relationships and “Diamond Day” deals in accidentally being swept up in love. Before long, the LP is wrapped up with a hazy and intimate final track, “Reverie”.Primo! are making guitar music that explores the boundaries of everyday life with calm levity, tilted grace and grit.

A heady fusion of rock’s steely drive, cosmic trance, wiggy acid basslines and cavernous dub, Talk is at once rooted in the turn of the millennium while sounding utterly outside of space and time. A combination of coveted un- and self-released material, the record features a remix, specially commissioned by Betonska, from Naone.Jin Won Lee (이진원), otherwise known as Gazaebal, is a Korean producer and DJ whose sensual, spacious approach to electronica is rooted in his background as a sound engineer. Having begun his career in New York, in recording studios working with the likes of the Wu-Tang Clan and Janet Jackson, his expansive creative repertoire further includes media art and chart-topping K-pop. A member of Tacit Group, a collective creating algorithmic and audiovisual performances, Gazaebal is presently best known for ambient-adjacent soundscapes, yet in the halcyon late 1990s and early 2000s, he synergised a uniquely potent take on club music.The titular track was initially released in 1999 on the independent imprint dmstrax, established by Gazaebal’s agent and wife, Nine. First appearing on techno@kr, a compilation CD dedicated to Korean electronic musicians, ‘Talk’ is an hybrid, electro-punk anthem. Colliding sung-screeched Korean lyrics with heavy breakbeat, its abrasive textures are delivered with ultra-slick orchestration. Halfway through, the jittery breaks collapse, reprised by momentous four-to-the-floor. It’s this dichotomy between poise and power that characterises the record as Gazaebal flexes his ear for intricate melodies and rocketing build.Composed alongside Big Hit Productions founder and BTS songwriter Mr. "Hitman" Bang, the original version of 'And So On' was not available for re-release due to licensing difficulties. But thankfully the multitrack was well preserved. Utilising these components, Nawon Ha (AKA Korean-but-Netherlands-based artist Naone) re-imagines the song for Betonska. Remixed with her own hypnotic vocals, she inflects the track with mesmerising, multi-layered dimensions; a fractal, downtempo trance number that connects two generations of underground electronic musicians from South Korea.From the pulverising kickdrum of ‘Gilda’ to ‘Spiral's acidic dub fuzz, Talk moves between sharp crests, twists, and turns, enveloping driving 4/4 and shuffling half-time. Presented as a mix-friendly mini-album, the carefully selected 6 tracks are ideally tailored to DJ-level quality and loudness. As much suited to the psychedelic rave scene of yesteryear as they are to contemporary dancefloors, Gazaebal’s productions are defined by his idiosyncrasies. Melding the sheen of tight-production with a flagrant DIY spirit, his music assuages the high-commercialism of the 2000s, resulting in a sound that’s as definitely punchy as it is intoxicatingly precise.

hellosQuare: ...hellosQuare welcomes Kasha into our family with 'What A Colourful Mouth' - their second release and first on vinyl. Recorded and mixed with our good friend Casey Rice (Dirty Three, Pikelet, Ben Lee), this single see the young Canberra quartet rework the traditional notion of rock music, approaching tension and repetition with dissonance and metric imbalance - think Motor City, think DC, think electricity!