Twoonky
Dezzo

Inversions: ...Inversions are happy to announce their fourth record release - a further collection of unreleased tracks from Rodion Roșca's archives, credited to his three-piece band Rodion G.A. The tracks are culled from several studio recording sessions, and one track recorded in Rodion's home studio. The first sessions, at Radio Cluj over the period 1978-79, produced the basic instrumental backing for what would become "Nu Tu Vei Fi," "Ore," "Bătrânul Cais," and "Moment." Rodion applied the triplicate vocals and effects that would transform them into the finished tracks at home on his Tesla reel to reel machine. When the last session was complete, Rodion asked the engineer if he could record the instrumental tracks directly from the mixing console on to his Tesla machine. A genius stroke, as he was subsequently able to create many further tracks using various repeated rhythms and loops from this same material, tracks equally individual and unrecognisable from the source, such as "Uneori." This earned him the accolades "Orchestra Man," and the "First One-Man Band in Romania." The second session, at the radio station in Bucharest in 1983, was more straightforward, with the tracks "Tamburași, "Satul De Roua" and "Tic Tac" all finished then and there. "Singur Pe Drum," although written in Rodion's teens, was not recorded until 2010 in his home studio.

INDEX:Records is blessed to announce the homecoming of Ike. It’s been a wee while since his last full club outing, but we welcome him back to this realm with open-arms.Lacing up with chuggy system-rattler 'Vernis VIP' Pulsar is a symbiosis of palpitating-wub and delicate, soft melody. On 'Rose Quartz', perfectly sedated drums are melded with luscious vox – a gratifying release to bass-driven tension-builder, 'Gage'. Mushing a cherry immaculately on top is a Mathis Ruffing indulgence ('Gage Remix'), who treats us to a frenzied yet controlled excursion into DnB hedonism.

ORANGE MILK RECORDS: ...Japan’s Nobuyuki Sakuma is a prolific artist; formerly of the Jesse Ruins duo on the Captured Tracks label, he now shifts time between his electronic music project CVN, curating the mix series Grey Matter Archives, and chief editor duties at Avyss Magazine. “I.C.” will be his second album for Orange Milk as CVN, and it is an eclectic hybrid of beat music and abstract electronics. There is a searching quality in his music, with leaps in variation from track to track that are meant to elicit the mutating feelings of walking through Tokyo.The first track 成分 Seibun is a calm pop song featuring Japanese vocalist NTsKi, and feels like an initial encounter with nocturnal cityscapes. As the album progresses a stranger Japanese electronic music culture begins to emerge, referencing artists like good friend Foodman and label partner Koeosaeme with irreverent assertions of anti-genre music making. Tracks like “Snippets of Heaven” are reminiscent of music on the labels PAN or Halcyon Veil, cryptic and sparse with random industrial beats and scraping metal. “舌下 (Karaoke)” is a more forlorn piece with straightforward rhythm and deeply effecting use of repetition. Sakuma states that he lets mood dominate his track making and does not care if this transitioning emotion fits into a cohesive style. The skill of harnessing the random nature of each tracks aesthetic is impressive, resulting in an exciting record that faithfully documents its creators place and time.

Efficient Space: ...Bélver Yin's soul mining odysseys have been unjustly overlooked for three decades. An anomaly in the Spanish alt-pop scene, their forlorn instrumentals and ethereal romanticism would have struck a chord in the British league of Felt, The Chameleons, Cocteau Twins and Dif Juz, leaving their 1991 debut Luz Bel deserving of reappraisal.While coining their band name from a Jesús Ferrero novel and quoting Laozi philosophy on album sleeves, Bélver Yin create illuminating textures that unlock a wordless language of memory and adolescent emotion. Formed in Salamanca by self-taught musicians Pedro Ortega Sánchez and José María Martín, the guitar-bass duo spent two years crafting their divine interplay with interim drummers before submitting a demo to Noisex Music, their only attempt at label courting. The phone rang mere days later with owner and producer Bernar Marks (Dust Sessions) offering to cut an album and the band ventured to Valencia with cloud-touching optimism soon after.Championed by local press, the release fell short of expectation, fueling the mythology of a vanished band known only to the initiated. Varying lineups would, however, continue to work in the shadows under Pedro's direction, recording two spatially arranged follow-ups at their own pace in 1996 and 2005.A glorious debut that undeniably set a high watermark, Luz Bel is finally available again, faithfully remastered by Mikey Young and featuring bilingual liner notes from John Gómez, the authoritative ear behind Outro Tempo.