Psych 9
The Trip Goes On

Korea Town Acid (Jessica Cho) is a South Korean-born and Toronto-based musician creating some of the more interesting and genre-melding music today. Born in Seoul, she bridges the divide between cultures with her new album Metamorphosis, working with Toronto based artist DESIIRE, U.K.-based Korean pianist and rapper Pianwooo, Seoul rapper PNSB, L.A beatmaker Dreamdave and New Jersey MC, L.J The Alien.The album is a genre-defying creation of hip-hop, glitch, jungle, house and dub, blending them together over the full album and even on individual tracks. “Law Of Attraction (삶)“ delivers on slowed dub with her soft voice in the background, while “Eclipse (일)” with PNSB is a silky smooth combination of Korean rap and house music. “Bounce (흥)" picks up the energy with a bouncing rap beat and Pianwooo who adds some light piano and a mix of rapping and deep growls.

Seance Centre: ...It all began eight years ago with a copy of R. Murray Schafer’s The Tuning of the World found in a box in a cabin, deep within the Pacific coast rain forest. This catalyst provoked Scott Gailey to draw inspiration from the sublime environment that surrounds his home on the West Coast of British Columbia. This exact landscape had a profound effect years earlier on a group of composers centred around Schafer and Simon Fraser University, including Hildegard Westerkamp and Barry Truax, who banded together as the World Soundscape Project (WSP). Where the WSP was primarily interested in field recording as sound ecology - documenting, preserving, and archiving a changing landscape - Gailey explores the musicality of field recordings through various synthetic approaches, a way to access the ambiguous emotional content latent in the natural world. There is a subjectivity to Gailey’s work, and in that sense it has more in common with the sensual musique concrète of Luc Ferrari, or even the Fluxus tape works of Henning Christiansen, than with the WSP. Despite having roots in this well of thought, Polysensuality is undeniably modern, finding kinship with contemporary works by Sugai Ken, Visible Cloaks, and Meitei, while also dipping a toe in the sound pool created by Haruomi Hosono and Hiroshi Yoshimura. Gailey has previously explored this palette in his duo You’re Me with Yu Su, but here there is more space, more silence, greater extremes, and in this way it is more personal, like a soliloquy rather than a conversation.In a way Polysensuality is a sonic addendum to Diane Ackerman’s A Natural History of the Senses, a proclamation for approaching the lived sensation of your environment in a way that doesn’t privilege any discrete element of perception. This approach gives voice to the in-between and shared areas of our five senses, which have been sublimated due to our scientific approach to feeling. From Luigi Russolo through Brian Eno, music has often been prone to experiments in synesthesia, but rather than explore the ways in our senses get crossed, the focus here is on how they relate to each other, and how that affects the ways humans interact with their lived environments, their ecologies. And in this sense, the sounds on the album - field recordings, percussion, voice, piano, clarinet, guitar, synthesizer, and bass - all live in inchoate and transitory states, somewhere between silence, landscape and song.The recent revival of ambient music encourages a subsumed form of listening and composing, optimistically suggesting a repositioning of mankind within natural order rather than superior to it. An idea slowly making its way across disciplines over the last half-century, from the ephemeral works of Robert Smithson and Andy Goldsworthy to the radical gardening techniques of Piet Oudolf. Polysensuality shares this worldview, and asks us to focus on the relationships between ourselves, our perceptions and our environment, revealing that they are inseparably linked.

boomkat: ...Arguably thee deepest Seekersinternational dive bubbles back up for a necessary new edition with Ossia’s excellent No Corner label, and in a new remastered roots version to bootScrolling back to near ground zero in their widely celebrated catalogue, ‘Rootprinciple’ is foundational SKRS business that appeared on Bristol’s finest in 2014, a few years after their session for the late, great Digitalis, and would pave the way for a run of outstanding turns over the years, garnering praise from all quarters to their borderless, judicious application of dub psychedelia.It’s truly essential listening if you’ve been snagged on their sound and ever tumbled down one of their wormholes, playing it relatively stripped back and breezy compared with some of their wilder shenanigans, with a real focus on sensuality and smoked out atmospheres that’s primed for toking types and late night sessions. The tracklist has been slightly trimmed, but contains all the spirited nutrition of the original, keeping heads and feet off the ground with finely toggled and juggled dub FX that have become their hallmark, filleting and diffusing samples of obscure and classic roots dub records in an endless swirl of shifty subbass hits, vaporous vocal contrails and smudged harmonic horizons that come off like the results of Rhythm & Sound’s imaginary cosmic siblings. Peerless! Crucial! Killer!

Edition of 500 copies with a hand-numbered fold-over sleeve.Recorded in Nashville, USA 2012.The lacquer cutting engineer is identified by the run-out etchings.

The Psychedelic Freaks is a new alias of Horatio Luna's. The aptly titled debut LP 'Passing Through The Doorways Of Your Mind' is an introspective 70s fusion space odyssey.An Afrobeat, Psychedelic jazz, funk fusion experience inspired by the Miles Davis's electric era. Influenced by the genius of Fela Kuti, Miles Davis, Frank Zappa, Dave Holland, Paul Jackson, Carol Kaye, Jimmy Hendrix, James Brown, and Alice Coltrane.Special thanks to Mandarin Dreams for putting a guitar in my hands and On-Ly for putting a wah pedal in front of it.