The Psychedelic Freaks
Passing Through The Doorways Of Your Mind

From Godriguez:Meditations is GODTET diving into our own minds, journeying together, by ourselves to where we wanted at the time to go.. There was a definite sense of wanting to abandon (albeit all unspoken) any of GODTET’s previous vibes and any other musical contexts we all often exist in. It is definitely a world where we, the musicians, can create a starting point and see where our minds take us. We wait either for ourselves or each other to see where we’d like to journey (or not journey) at all and be happy to sit put in one place for a while.The Meditations are almost a reaction; A protest? - To having to do the normal thing as musicians we’re expected to do (Make a big good exciting thing now!) If anything it's a blueprint for the future of the GODTET “sound”, it is to be unexpected. “Expect the unexpected” is quite the cliche yet it’s probably the most fitting for what I foresee the GODTET future as sounding. Unbound by any expectations or contexts or having to repeatedly play music in any certain way - it feels almost like a manifestation of our freedom and personal agent to not be beholden to anything as musicians.Meditations is the most open statement and platform GODTET has produced to date. Wiping the slate clean, this erasure allows us infinite possibilities.. Anywhere and everywhere to go from here... To be definable or restricted is the antithesis of what GODTET is about. GODTET PLAYS FOR ITSELF. Our own curiosity, pleasure, introspection, play, ourselves.

From On-Ly on Yurodivy:The provenant concept of Yurodivy is: through madness, one paints the madness of the world. Russia became the looking-glass for lessons not for the historical content but for how that content was preserved - against all odds - by citizens; vanguards of history immersed in-madness creating art both as reprieve and as dissenting corroboration of a repressed citizen. Shostakovich's stories - his music - resonate with folks in a certain way; folks of this time and folks of that time. Anna Ahkmatova, Vladimir Mayakovsky and Nikolai Gogol - their words create a shroud for which to protect oneself. Our ancestors of Earth have things they can teach us about that time - our time.The intellectualism and cryptology of Russian musical and artistic expression is an endless journey into some of our planet's greatest minds and Yurodivy is about honouring them, their memories and their struggles but most of all their unbelievable zeal in preserving their expression in parallel with their experience at a time when heresy toward their conditions of fascism - to tell the truth - meant death.

Reflecting on great leaders and great bands and what makes them essential; there is not too much more that On-Ly has considered for Wonderlust. Distinct in that it inaugurates his first release with a band. The album takes on a facilitating role in the style of great psychedelic albums as one finds themselves at the whimsy of through-composed pilgrimages to soft, heartfelt song and back to sun-soaked heights woven with engaging arrangement, a one-of-a-kind production style and an incredible pedigree of musicianship.All tracks composed and arranged by Joshua Smeltink.

Oregon sextet Elite Beat continue their dubwise world-groove mission with a two track 12”of what sounds like organic, in the moment live takes with an intro count to boot. Layers of psychedelic sax and drums ebb and flow alongside heavy low end, building on their compilation of ‘healing and hypnosis’ inspired jams Selected Rhythms Vol. 2. Despite being based across the ocean, big Jah Shaka dance vibrations occupy the A-side with a steady house tempo combining with the woodwind across ten minutes of proper body music.The slower, introspective approach to side B takes in elements of post-rock with flourishes of electric guitar yet grounds itself in the dub mentality through pulsing sub-bass and swirling synth work. The wide-reaching bed of influences present in Portland’s bands, shops and labels shows itself time again in Elite Beat’s work, evident through recent collaborations with Mdou Moctar and past outings here at Research.

David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.