C.Z.
Heat Index

from the artist's bandcamp: "... Fragmentary chords and chorusing infinities that collapse back on them selves to feed that every evolving drone... Surrendering yourself to this album's charms is like the sun bleeding through your fingers, therapeutically bleaching your troubles clean away"FREQ"Close your eyes and you could be listening to Iasos, Laraaji or Ariel Kalma, open them and you're on ket in Salford's Islington Mill"Piccadilly Records"Expanding a meditative aesthetic into something imposing and colossal, Bliss Waves (From The Heart Realm) registers like a relaxation tape designed for Poseidon when he's had a rough day"Electronic Sound Magazine∿ ∞ _-¨ Ultradimensional Transportation Music ∿ ∞ _-¨"Forget your worries, lie back, and rest your mind. Watch the sun gently set on this world as pink-tinged clouds drift by like thoughts in your mind and feel yourself letting go . . . nowhere to go . . .nowhere to be. Nothing matters, nothing exists outside of this moment . . . right here. . . right now."

smilingc: ...Fritz Bootle, Jr. (F.J.) story began in Freeport on the Grand Bahama Island. While legendary balearic acts were honing in on a sun-soaked sound at Compass Point Studios on the nearby island of New Providence, you could ferry over to Freeport, to witness an equally flourishing scene of soca, reggae, and disco music. If you were lucky, you might’ve caught a live show from F.J. at one of the various clubs around town. During the early ‘90s, regulations on drug traffickers were quite loose which meant discotheques were in full swing and the island attracted a bevy of pleasure-seeking tourists. In addition to the clubs, fish fry’s at the beach were popular places for locals to grab a beer and some snapper to hear the DJs play new selections from neighboring islands. It was a lively time on the island, and F.J.’s music was meant to reflect the relaxed attitude that came with the archipelago lifestyle.

hellosQuare: ...Pushing further than his initial beat scene influences with a sharp focus on strong songwriting, LP's marriage of punchy edits and sonic detail weave the analog melodies and sampled sounds around the structures to create a beautifully textured production.Conceived and recorded in various spaces around Canberra before being brought to life by guitar'n'glitch musician Reuben Ingall, LP also features the saxophone sounds of free improvisor Andrew Fedorovitch (Splinter Orchestra) while label boss Shoeb Ahmad provides vinyl textures and additional production across the record.