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Following up with his release with Quit Life on Year0001, Bloodz Boi collaborates with Claire Rousay and More Eaze on a new record – A Crying Poem. Bloodz Boi convey’s a dream, an unforgettable love, and a rebirth giving a glimmer of hope. All lyrics are based on poems by Bloodz Boi. “Words have no power,” so he wanted to sing the poems to pay homage to fragments of his memory. Orchestration and production is in collaboration with Claire Rousay and More Eaze. This album conveys a blunt sadness coalescing with new forms of romanticism. A fitting pairing of artists, the record is cohesive and a singular beauty.Album art and layout by Seth GrahamMixed by More EazeMastered by Andrew Weathers

"Every 4,044 years comet Calanhi enters the inner solar system, returning from its cold and silent voyage through the Oort cloud. As it approaches perihelion, billions on Earth gaze into the night sky, transfixed by the celestial spectacle of their lifetime. While solar winds tear at the comet’s surface, deep inside the glowing ball of ice, ancient machinery springs to life."

EM Records: ..."Finis Africæ (or Finis Africae)". Words redolent of mystery and myth, of Europe looking out to new lands, new worlds, new times. And so it is with A Last Discovery, the work of Spaniard Juan Alberto Arteche Guel and his musical co-adventurers, recorded between 1984 and 2001. After fifteen years of musical success in Spain with his band Nuestro Pequeño Mundo, Arteche was ready to experiment with new ideas, and with the purchase of a four-track reel-to-reel recorder he did so, exploring imaginary global music-worlds with a core of like-minded explorers. The group, dubbed "Finis Africæ" by JAA after reading Umberto Eco's The Name of the Rose, where the term refers to forbidden books and hidden knowledge, released seven recordings over an eighteen-year period, the best of which are compiled here.Finis Afriae was part of the "new wave" of Spanish music which gradually emerged after the end of the Francoist regime. Using modern electric instruments and traditional acoustic instruments from many cultures blended together via studio alchemy, a magic which grew even stronger with the acquisition of a sixteen-track recorder after their second release, Finis Africae created an outward-looking musical multiverse, an unclassifiable amalgam encompassing elements of folk traditions from all over the world, skillfully and lovingly shaped into an inclusive pan-global whole. Deeply influenced by African music, the group's reverberant, organic minimal funk will appeal to DJs as well as all who yearn for the loving warmth that comes with the embrace of global possibilities.