Sleep D
Freak of Nature Vol. 2

C. Lavender is a New York based sound artist and sound healing practitioner whose third full-length album explores meditative physical rituals of sound with binaural recordings from inside a geodesic dome in the Catskill Mountains of New York.“The future is a choice between utopia and oblivion,” noted architect, futurist and geodesic dome theorist Buckminster Fuller. Myth of Equilibrium delves into these divergent paths by featuring equal parts of pastoral raw acoustic percussion combined with C. Lavender’s signature “devastating caustic drones” (Ad Hoc) via her custom bass guitar and synthesizers.An assistant to the late pioneering electronic composer and Deep Listening founder Pauline Oliveros, C. Lavender’s astute editing and the binaural recording process places the listener within the heady fluctuating underworld she has created on this album. The recording environment of the geodesic dome allowed for sounds to transfer out beyond the confines of the walls as well as allowing outside sounds from the surrounding wilderness to permeate in like that of a mutating cell. The album suggests “headphone listening” for the full hypnotic experience Myth of Equilibrium presents to the listener.C. Lavender is a 2020 Pioneer Works (New York) Music Artist-in-Residence.

hellosQuare: ...Recorded while overseas and waiting in the wings for just over a year, this talented Australian duo create a world of deep sound, founded on a base of acoustic instrumentation (the aformentioned saxophone along with gongs and percussion) and rewired with live processes. Touching on elements of noise music as well as improvised jazz and glitch electronics in it's aural palette, Circuitous is a must for lovers of musique concrete and dark ambient/doom drone.

EM Records: ..."Finis Africæ (or Finis Africae)". Words redolent of mystery and myth, of Europe looking out to new lands, new worlds, new times. And so it is with A Last Discovery, the work of Spaniard Juan Alberto Arteche Guel and his musical co-adventurers, recorded between 1984 and 2001. After fifteen years of musical success in Spain with his band Nuestro Pequeño Mundo, Arteche was ready to experiment with new ideas, and with the purchase of a four-track reel-to-reel recorder he did so, exploring imaginary global music-worlds with a core of like-minded explorers. The group, dubbed "Finis Africæ" by JAA after reading Umberto Eco's The Name of the Rose, where the term refers to forbidden books and hidden knowledge, released seven recordings over an eighteen-year period, the best of which are compiled here.Finis Afriae was part of the "new wave" of Spanish music which gradually emerged after the end of the Francoist regime. Using modern electric instruments and traditional acoustic instruments from many cultures blended together via studio alchemy, a magic which grew even stronger with the acquisition of a sixteen-track recorder after their second release, Finis Africae created an outward-looking musical multiverse, an unclassifiable amalgam encompassing elements of folk traditions from all over the world, skillfully and lovingly shaped into an inclusive pan-global whole. Deeply influenced by African music, the group's reverberant, organic minimal funk will appeal to DJs as well as all who yearn for the loving warmth that comes with the embrace of global possibilities.