Finis Africæ
Amazonia

EM Records: ...How can we explain the power of music? How can songs delivered in a language which we don't understand move us so? This collection contains the very best songs from Hongthong Dao-udon, one of the great Thai singers of the "third generation" of Molam singers, one of the artists who succeeded in fusing Molam with Luk Thung, thus triggering a new generation of singers; in fact she was the first to sing both genres from the beginning of her career, considering herself to be situated happily between the two styles. But none of this matters, finally, to the listener. This is music, not musicology, and Hongthong Dao-udon sings to us, not the pedants. Her career was brief, and these songs from the late 70s and early 80s are her very best, showcasing her rich vibrato, her masterful control, and the undeniable emotional power of her voice, carrying us from joy and whimsy to melancholy and desolation. Produced mainly by Doi Inthanon, a legendary independent producer, these songs were very popular in Thailand, and it is easy to hear why, with strong melodies, impeccable swing, interesting arrangements, and of course her thrilling voice. Available on CD and vinyl, with two songs previously unavailable on CD, as well as her first recording and her biggest hits, this is essential.What is “luk thung”?A musical genre whose name means ‘country person’s song’ or ‘children of the field’. The name became established in the latter half of the 1960s and now has the status of a national genre of popular song unique to Thailand. The lyrics of luk thung songs deal mainly with the rural idyll, comparisons between the city and the countryside, life in the big city and current affairs. There are certain typical traits to the music, but no official musical form.What is “Molam”?"mo" is an artist and "lam" is a kind of performance art where the artist tells a story using tonal inflexions. In other words, the term molam refers to both the singer and art form. Molam pieces are not strictly speaking "songs".

Sia Ahmad returns with A Body of Full Of Tears, the Canberra sound artist’s first new work as Shoeb Ahmad since “quiver” (2018) and their departure from critically-acclaimed jazz ensemble Tangents.Where “quiver” embodied themes of dysphoria and identity with a soul-pop conceit, ABFOT dives headfirst into the tumult beneath waves of distorted sound, obscuring Ahmad’s foundational songwriting in the process. It’s the cathartic din of an artist rediscovering the expressive and electronic elements of their early practice, marked by a period of deep isolation where questions of artistic and familial identity prevailed.All profits from sales go towards ongoing contributions made to Aboriginal Legal NSW/ACT and Pay The Rent.