Heith
Mud

Speed Dealer Moms - APRIL TWO 11 [OFFICIAL VIDEO]youtu.be/TCRN59ZG9bMA decade after releasing their debut EP through Planet Mu's Timesig imprint, Speed Dealer Moms—a collaborative electronic music project with a fluid line-up commonly made up of Aaron Funk, John Frusciante and Chris McDonald—are set to make their long-awaited return this summer with a new offering entitled SDM-LA8-441-114-211. The 3-track EP, arriving June 18 through Evar Records, offers a glimpse into the treasure trove of Speed Dealer Moms' unreleased material, with each song title alluding to the date in which it was recorded and in how many takes.

RWD-FWD: ...Reaching level 10 on the barometer of sleaze, sweat & hardcore rhythm, this record recalls the undeniably frustrated, yet care-free anti-establishment energy of the likes of Nitzer Ebb, Spectre, The Mover, Egyptian Lover, DJ Rashad & Techno Animal, while sounding fresh and loaded with the trademark intensity of Anna Funk Damage's unhinged, raw & free-styling production technique.The A side of the disc grinds into gear in slapdash EBM & Industrial styles with 'Badass Bitch' and 'Bloodydeath'. Flip it to the B side for extra doses of speed injected straight into the vein, with the f*cked up trance cut 'Elm Street Faster Edition' and the mangled footwork vs bassbin techno rhythm 'This Is Why I'm Hot', finishing this burner of a record with a relentless staccato of kicks, hi hats and trash-can snares, with the underlying blue chords hinting at a chance of solace amongst the flames.

Efficient Space: ...Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.

Premier Sang: ...This is second full-length release on wax by Sick Llama, after "Born Again To Die" on Hanson Records in 2007...Heath Moerland uses tapes, organ, synth, clarinet, and whatever else is laying around to balance a fine line between composition and improvisation. Musique concrete, process theory, modal jazz, drone, punk aesthetics and free approach to music. The first recordings were released in 2003 sparking off hundreds of releases and hundreds of performances throughout Europe, USA, Mexico and Canada. Sick Llama also runs the music/art label Fag Tapes which has issued over 375 releases.