Eiger Drums Propaganda
Eiger Drums Propaganda lll

Sjunne Ferger on Bandcamp: ...Occupying its own hinterland within Scandinavia's early 80s electronic/ progressive movements, ‘Mindgames’ navigates a lifetime of musical and personal exploration by Sjunne Ferger.Child jazz drummer prodigy, arts venue operator, music teacher and Aikido practitioner, a bewildering array of personal & creative influences are distilled into the Örebro native’s only long player. Written around a new wave context, his own jazz fusion roots and at times with an unintentionally balearic outcome, Sjunne goes some way to conjuring up a singular sounding album of the time.Narratives of love and loss, calls to self-empowerment and mindfulness, the new age zeal throughout follows Sjunne’s own awakening. Its music caught in meditative reflection one mo-ment before propelling into ecstatic revelation the next, with Sjunne’s collective ‘Exit’ providing electric backing throughout. Propelled by the Drummer’s beat, its hard not to be caught up with Sjunne’s personal vision of a ‘Polymood Music’Painstakingly transferred and fully remastered from the original tapes, with new liner notes and photography in the vinyl edition. Mindgames follows Strangelove’s previous issue of Sjunne’s early singles and soundtrack work on “Childrens Mind” (SL106)

Bristol NormCore: ...''When you're alone and life is making you lonely.You can always go…''Far beneath ivory towers in the seedy underbelly of the city, where neon flashes and the real wildlife lurks, there's a house of ill-repute where hungry pleasure seekers enact their sordid fantasies. In this nocturnal playground, the ringleader rattles his cage, struts and gyrates, while drums slam hard against the rafters and pound deep into the night.Kelan's debut solo outing is seven tales of sleazy noir, vice and earthly transgression - along the way taking a verbal match to the flag, spitting venom at vampiric landlords and erupting into lewd, schoolyard chants.Join in the decadence and debauchery 'Downtown'.''How can you lose…?''

deejay.de: ...This 12' release is the fourth in the series in support of the Kuzoku film Bangkok Nites. Both songs here are covers of The Countryside is Great', a 70s luk thung classic originally sung by Runghpet Laemsing. The song, which plays a pivotal role in the film, is re-titled on the A side by Ozawa and the Babylon Band, who deliver a funky version with winsome vocals by Katsuya Tomita, one of the film's directors, who, as Ozawa, also plays the leading role in the film. The Babylon Band is led by Iwao Yamazaki, who has a long-running relationship with Kuzok films, he is the sound engineer of Bangkok Nites. The AA side is a version by the Tokyo-based synthesizer quartet Kufuki, with vocals by Rifu Otsu, a singer/voice performer and master of shigin. Cover art by Shinsuke Takagi of Soi48.

EM Records: ...December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl, CD, or digital download, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love…”, by the Japanese duo Chisako and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker.