The 1975
Notes On A Conditional Form

Provenance: ...The contemplative and stretched out twin to last year’s A Body of Full Of Tears, Sia Ahmad continues to revisit her most formative inspirations on Facade, blurring aged textures into contemporary expressions on this newest addition to the Shoeb Ahmad oeuvre.Less claustrophobic than ABFOT and clearer in sonic detail, Facade picks up threads of familial reality, gendered safety and mapping place to weave into a tapestry of disembodied found sound, lush harmonies and widescreen metronomic presence. Once forgotten and now again inhabited, the songs here continue a journey to reclaim what drove Ahmad to create and explore.All profits from sales go towards ongoing contributions made to Aboriginal Legal NSW/ACT and Pay The Rent.

Efficient Space: ...Oz Echoes peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7”, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide’s Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow’s prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz’ improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.A cherry-picked cast of unusual suspects, Oz Echoes’ unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.

A five part tome to the ongoing trials and tribulations of navigating relationship and parenthood, “double checks on the corner” is a song cycle that encapsulates so much of what is seen as a hyper-domestic experience but digs deep into the nuances that are left behind doors or in text threads.Bringing together the emotive songcraft that made “quiver” a highpoint in Ahmad’s back catalogue with the production aesthetic that makes her last two albums stand alone in the world, the melancholic lyrical observations on “double checks against the corner” are placed front and centre within the warm arrangements, constructed in the home with sounds from her most trusted collaborators.

The Psychedelic Freaks is a new alias of Horatio Luna's. The aptly titled debut LP 'Passing Through The Doorways Of Your Mind' is an introspective 70s fusion space odyssey.An Afrobeat, Psychedelic jazz, funk fusion experience inspired by the Miles Davis's electric era. Influenced by the genius of Fela Kuti, Miles Davis, Frank Zappa, Dave Holland, Paul Jackson, Carol Kaye, Jimmy Hendrix, James Brown, and Alice Coltrane.Special thanks to Mandarin Dreams for putting a guitar in my hands and On-Ly for putting a wah pedal in front of it.