Charlemagne Palestine Rrose
The Goldennn Meeenn + Sheeenn

from the artist's bandcamp: ...TALKING OF POST-TECH DIALECTICS,THIS IS A TRIBUTE TO THE CYBERPUNK.The mother of technology collapses. Ten fragments of her soul are spread in cyberspace. The last encoder composes the pieces to a manifest. A poem that is a call for the distortion of the artificial.Manifest is an album, in which CORIN synthesizes the reconciliation of the dystopian and utopian. It is a story of manipulated time that exists out of instrumental and vocal proportions.

from the artist's bandcamp: ...Winner of the 2018 BASCA British Composer Award for Solo or DuoA music project featuring a specifically design half-tonne double bell, an array of rare percussion and two highly virtuosic percussionists.“Bloody hell that was good” Tim McKinney, BBC Radio 3Watch The Harmonic Canon in action: dominicmurcott.com/harmoniccanonCreated in collaboration with sculptor Marcus Vergette, The Harmonic Canon is both the name of the piece and the double bell that was custom-made for it. Comprising of two bells tuned a semitone apart, the bell was created using Finite Element Analysis, a type of structural analysis that determines the vibration patterns of the bell, manipulating its harmonic series to create a complex series of frequencies that make up a note. The result is a sound world that straddles consonance and dissonance, murky and clear, pure and distorted. Parts of the bells are in tune with each other, while others are out of tune, creating a unique ‘beating’ between the bells. Oh – and did we mention it spins?‘I came up with the idea of a series of 21-minute pieces in conversation with Gabriel Prokofiev,’ says Dominic. ‘The perfect length for one side of vinyl, it is also a message of intent and a gentle demand for the track-skipping listener.’Part One is made up of rapid, high energy, virtuosic passages, articulated with the ominous striking of the bell while the second part contrasts with a single resonant tone that evolves and shifts over time. This is part of nonclassical’s 21 Minutes series, a new project commissioning 21-minute pieces.

Eagle Court' is the highly anticipated debut album from Brightonbased hybrid rap three piece, CMPND, formed of members Kemastry, Wundrop & Vitamin G. Since joining the High Focus Records family in April, the group have been tearing up the live circuit & churning out singles showcasing their sonic versatility - Clearly demonstrating why they are the torch bearers ushering in a whole new generation & sound into the UK Rap world.On the 11th of October 2019 CMPND will present ‘Eagle Court’, a densely packed album that defies categorisation, the trio bring a whole new vision and aesthetic to the forefront without sounding or mimicking the current sounds emanating from America, falling into the trappings of Grime & Drill or recreating the ‘90‘s Golden Age’ Hip Hop sound - Whether it be the mind bending production or the next level pen game, they are bringing something truly unique to the table. Named after the flat where they all lived and produced the album, it is clear the trio were hermetically sealed in the lab, crafting an exceptional vision devoid of outside distractions and influences.With surreal unpredictable rhymes from Kemastry, Vitamin G's multi- syllable machine gun verses and Wundrop providing cold, scathing social observations as-well-as handling all production duties, expect ‘Eagle Court’ to provide a modern day, new-generation saga, fusing the gritty & the suave in an audio visual experience like no other.'Eagle Court' is officially released on the 11th of October 2019.creditsreleased October 11, 2019All tracks written and performed by CMPND (Wundrop, Vitamin G & Kemastry) with the exception of feature verses.All tracks produced by WundropArtwork by Ral DukePhoto by Harvey Williams Fairley

Limbo Tapes: ... Straight from Limbo Tapes HQ, "01" has a signature label sound at it's heart, and marks a meaningful milestone in our history as a DIY imprint as our first vinyl release.The album was crafted in the Dive Reflex Service production facility, somewhere in the depths of Bristol. Found here are bewitching and magical elements, anchored by deep melodic bass lines that propel the listener through 12 rhythmic scenes.Using a combination of tape saturated improvisations, ritualistic samples and a beautifully chilling vocal appearance from Jamileh Lee, Dive Reflex Service has conjured a meditative, reflective and at times ominous ceremony.Limited to 300 physical copies for the world. Heavyweight vinyl with full colour artwork and high quality digital download. Mastered and cut at Stardelta Audio Mastering.

Founded in 2015, Tears|Ov are sound artist/self-taught musician Lori E Allen, classically trained cellist/mixed media artist Katie Spafford and illustrator/prison psychotherapist Deborah Wale. The trio first collaborated on Lori E Allen’s ‘Tears of the Material Vulture’ cassette on The Tapeworm, a re-imagination of a brief collaboration with Madame Chaos of cut-up cablecasts, 1995-1996, on Manhattan Neighborhood Network and Television in New York City. That release served to resurrect a hibernating creative practice between the three friends.Their writing process takes the form of structured improvisation. Allen will create a bed of loops, field recordings or a full framework. She then shares this base with Wale and Spafford who embellish or delete, the three building the pieces through long improvised sessions in London, playing late into the night. During these sessions, the feeling of a songs’ words or the emotional tone of a sound can spark sudden mood changes, altering the arc of the compositions. ‘Crucially the music is improvised – it is never the same twice. There are triggers and moments that signal moving to another part of the music, but the timings and lengths largely depend on our moods and interpretation on a given day/performance. Because of this, the album was recorded with ambient mics capturing multiple instruments. It wasn’t possible to record all the instruments separately as we respond to each others improvisation. Even if the changes are very minor, they really affect the emotion of each piece’ Spafford says.