Ondo Fudd
Eyes Glide Through The Oxide

Limbo Tapes: ... Straight from Limbo Tapes HQ, "01" has a signature label sound at it's heart, and marks a meaningful milestone in our history as a DIY imprint as our first vinyl release.The album was crafted in the Dive Reflex Service production facility, somewhere in the depths of Bristol. Found here are bewitching and magical elements, anchored by deep melodic bass lines that propel the listener through 12 rhythmic scenes.Using a combination of tape saturated improvisations, ritualistic samples and a beautifully chilling vocal appearance from Jamileh Lee, Dive Reflex Service has conjured a meditative, reflective and at times ominous ceremony.Limited to 300 physical copies for the world. Heavyweight vinyl with full colour artwork and high quality digital download. Mastered and cut at Stardelta Audio Mastering.

from the artist's bandcamp: Over the course of nearly a decade of releases, Szarehave have been a mainstay of UK dance music,cementing their reputation through a string of essentialreleases for labels like Horizontal Ground, Idle Hands,Field, Project 13 and Different Circles. We’re extremelyproud to add another name to that list, with this diverse selection of tracks that comprise both new ideas and forgotten loops, re-visited and re-tooled.The first track, Miner, is named after a street in Downtown Stockton, CA. Whilst Miner isn’t directly about the Central Valley of California, the juxtaposed rhythmic and thematic iterations that outline its structure reflect the uncanny incongruence of the environmentthat birthed it. From the opening bar, the rhythms are pounding, frenetic, and totally unhinged… We won’t give away the payoff though; listen to the tune.Cut with Glass - written after a recycling mishap - perfectly encapsulates a vintage side of the Szare sound - minimal, free from ornamentation, and with an approach to uk sound system culture that exhibits a more westward-gazing sound palette than initially meets theeye.Drop Shadow rounds off the package; as much an exploration of concrète as it is bass music, the drop to 100bpm facilitates one of the most controlled and perfectly executed arrangements we’ve ever heard out of Szare. The spasms of noise throughout are used as a fundamental instrument, complimented by pointillist licks of dubbed out vocals andstrings that reach a fever-pitch in the closing third.